Johnny Cash – New album Songwriter coming

2024 has been fairly hot with releases so far and that tone isn’t changing as the year winds on. News dropped recently that none other than the Man In Black himself, Johnny Cash will have a new album hit stores on June 28th. Songwriter will mark Cash’s 72nd studio album (!) and 5th since his death in 2003.

Songwriter is an album that Cash recorded demos for in early 1993 and then shelved, as it was not long after when he was approached by Rick Rubin. The Rubin collaboration launched a late-career revitalization with the American Recordings series that grew Cash’s legend up to and beyond his death, so the Songwriter demos remained an afterthought.

These demos would be discovered many years later by Cash and June Carter’s son John Carter Cash. The younger Cash presented them to engineer David Ferguson, who had worked in that role on the American Recordings series. Cash and Ferguson stripped down everything from the demos but for Johnny’s vocals and guitar (with one exception) and then set about finding a new cast to reshape the music.

Joining in to help flesh out the album were Marty Stuart and Harry Stinson, as well as guest spots from Vince Gill and Dan Auerbach. There is also another posthumous presence on the record, as Waylon Jennings had dropped in to sing on a few songs with Cash on the original recordings.

One other interesting quirk of Songwriter – many of Johnny Cash’s albums featured a hefty dose of cover songs. This upcoming album is different in that it features all original material. Two of the songs, Ride On and Like A Soldier, were re-recorded and used on American Recordings.

With the news of the album also came the first single, a quick two-minute tune called Well Alright. The song is upbeat and pretty amusing, it’s simply about meeting up with a gal at a laundromat. It’s a song that easily puts a smile on your face and is maybe just ever so slightly suggestive in a phrase or two, but nothing out of bounds. It also sounds really good – merging Cash’s 1993 recording with 2023 musicians worked out great and the production is crystal clear without being too sterile.

I know posthumous releases can be a touch subject in the music world, and Johnny Cash is reported to have enough unreleased material to release an album a year for eons if his legacy caretakers so desired. But Songwriter is filling in a gap from a moment in time just before Cash had his last big break and I consider it an important offering for the Cash catalog. I’m also totally fine with posthumous releases, I honestly just want to hear the music so bring it on. I’m looking forward to the end of June and the rest of this album.

Bruce Dickinson announces new solo album The Mandrake Project

Last Thursday, September 21 finally saw a long-awaited reveal, as Iron Maiden directly released information about Bruce Dickinson’s seventh solo album. It is titled The Mandrake Project and is slated for an “early 2024” release. More specific information will be forthcoming, of course.

In addition to the album, Bruce has also announced a small run of solo shows in Mexico and Brazil in late April and early May of next year, giving us a guess that the album will release sometime before that small tour.

This is Bruce’s first solo record in a long time – have to go back to 2005’s Tyranny Of Souls for the last one. It’s also only his second one since returning to Iron Maiden in 1999, clearly his main gig and host of other jobs like flying, beer selling and sword fighting keeps him busy.

Not much music has been made available yet, there is a small snippet of instruments in a video on Iron Maiden’s social media pages but that’s all for now. I’d expect a full song to be previewed soon, maybe when the release date is revealed.

There also isn’t a whole lot to say about the upcoming album yet, other than Bruce is again working with his longtime collaborator Roy Z. That’s good news to anyone attuned to Bruce’s solo outings, as Roy Z helped craft some amazing albums with Bruce.

We can also speculate that one song we already know will appear on the album. Bruce has been working on a concept album for years, dating back to when Iron Maiden recorded The Book Of Souls album that released in 2015. That opening track, If Eternity Should Fail, was originally written by Bruce and intended for this new solo record when Steve Harris heard it and asked for it to be on the Maiden record instead. In fact, the somewhat incoherent babbling about “Necropolis” and all that at the end of the song is a tie-in to the story for this Bruce solo album. While nothing official has been said yet, I’d place bets that If Eternity Should Fail winds up on here too, though I’m sure it would be a redone version of it.

There’s not much else to do right now but sit and wait, this will be a highly anticipated release for me. Well, I guess there is one more thing we can do and that’s gawk at that somewhat awkward promo photo, with Bruce totally photoshopped over a mystical alien door of some kind. I’m assuming and hoping that’s just a promo photo and not the true album cover, a bit of chatter in spots on social media seem to support that theory. People have had a field day with this shot, some even remarking that it’s as bad as the infamous cover to Dance Of Death. I think this is a goofy photo but it’s not anywhere near the level of bad that Dance Of Death has for a cover.

Now with that out of the way, I truly can sit and wait for more news and some previews of this new Bruce album. It’s been a long time and I’m looking forward to another entry in his outstanding solo catalog.

Blur – The Narcissist

Yesterday on May 18, Blur announced a new album and their first studio effort in 8 years. The Ballad Of Darren will be released on July 21 and will contain 10 new tracks. The album announcement was a bit unexpected, though Blur had already announced a series of concerts for 2023 so new activity isn’t altogether surprising. And since I just talked a fair bit about Blur the other day, I figured I’d give the new song a spin and see what’s up.

First though, I absolutely love this album cover. Someone swimming in a pool against the backdrop of a massively bad looking stormy sky? This is just great stuff. I don’t collect much Blur but this cover alone is making me want to have this on vinyl, or hell even a poster.

Along with the album announcement, Blur also revealed the album’s first singe, The Narcissist. The song is a pretty chill one that doesn’t really ask a lot of the listener. It’s not a massive banger of a song but it’s also pretty quietly compelling and I’ve been getting more into it on subsequent listens, it has a nice mood music vibe to it. It does make me interested in what they’ll get up to on the rest of the album.

That will do it for what has to be one of my shortest posts ever. Enjoy the weekend.

Metallica – 72 Seasons single

A super quick post today, just gonna cover the new song Metallica posted yesterday. It is the title track from their upcoming album 72 Seasons, which is about to hit its due date of April 14th. This the the fourth song they’ve posted from the album, at least I think.

This is the album’s opening track and is also a bit of a longer one – the video here runs for 8:38 but the actual song lists for 7:39. It is a pretty good song, very firmly in the latter-day Metallica vibe. I wonder if it really justifies its length, though I’m not usually one to complain about long songs. Length isn’t new territory for Metallica at all, they’ve had plenty of longer cuts over the years.

The album is near and I’m pretty stoked for it. I’ve enjoyed what I’ve heard so far, a few songs do get me going a bit and the others don’t put me off or anything. I don’t know where this album will rate at the end of it all but there’s certainly something to look forward to here. I’m also guessing that there will be a video for every song like there was for the last album so there will be more entertainment to dig into.

That is about all for this one, happy weekend.

Metallica – Screaming Suicide

I was just about ready to copy and paste today’s post from my typin’ program over to WordPress when I was alerted to the presence of a new Metallica song. I called an audible and decided to make today’s offering about the new song.

The song is called Screaming Suicide and is the second single from Metallica’s upcoming album 72 Seasons, out April 14th. The album kicks off a new tour cycle where Metallica will play two nights in each town with no-repeat setlists across the two nights. (Also, be aware that the two nights are not in a row – there is a day off inbetween)

Screaming Suicide has a pretty upbeat musical side but the lyrics delve into a pretty dark place, along the lines that the title would suggest. I’m totally confident in assuming that this is a bit of a point-of-view or character piece and Metallica isn’t literally suggesting suicide, I’d be certain that their intent behind it is the exact opposite.

But it is a bit funny to think of this song in 2023, when back 40 years ago a lot of songs that had no mention of suicide at all were blasted in the media and courtrooms for causing troubled people to take their lives. It’s highly unlikely anything of the sort would befall Metallica today. Even if people get mad over things for no reason, the days of high-profile lawsuits over lyrics seem to be over.

We’re two songs in now and so far I’m digging the new Metallica. This song doesn’t quite pack the same punch the first single did, but this is still a good track and I like the groove of it in contrast with the heavy tone of the lyrics. If the rest of the album holds up to what we’ve heard so far I will be a fan.

That about does it for this hot off the press post that fell in my lap last evening. Enjoy the weekend, I’ll be back tomorrow with another run through my Album A Day series.

Metallica announce new album 72 Seasons and Lux Æterna single

A quick post today to discuss the news of a new Metallica album as well as the newly released single.

On Monday, Metallica announced their 12th studio album would be called 72 Seasons and will release on April 14, 2023. In addition to the album, Metallica are planning a huge tour that involves playing two nights in each stop and a “no-repeat” set for each city. More details can be found in the post on the band’s official website.

Also on offer is the first single from 72 Seasons. Lux Æterna comes on offer with sound and video (the band did record a video for every song from their prior album Hardwired…To Self Destruct, curious if they’ll do the same here).

Lux Æterna is a good offering, I’ve enjoyed it so far. It’s brief and to the point and it “feels” like a 2022 Metallica song. It seems like maybe the band “found their pocket” with Hardwired… and are going to stay in that territory. For my money, it’s a wise decision. There is plenty of disagreement over the new track, but I’ve noted a fair share of positive reception for the new song as well.

Of course my main concern is with how the album as a whole plays. It’s 12 songs at 77 minutes long, not as long as Hardwired… but still a plenty long enough album. Seems to be the trend for a lot of “boomer rock” these days, including many of my favorite acts. We’ll see how the full-length pans out, especially with the hefty amount of songs.

I’m personally pretty stoked for this, the new song sounds good and Metallica seem to have a good sense of direction in the latter portion of their career. It’s still over four months until album release, so there’s plenty of time to speculate on exactly what we’re getting with 72 Seasons.

Upcoming Releases – Labor Daze

I’ve been up against it on posts lately, but the old reliable upcoming releases rises again. We are about to enter a holiday in the US, which I actually don’t have off. I’ll get paid handsomely for my time so it’s all good. I might even buy records with my excess money. Or, with the price of vinyl these days, I might buy record. We’ll see.

Anyway, there is some cool stuff lined up and some of it is straight out of a shotgun and coming out very soon, so let’s get into it.

Clutch – Slaughter Beach

I remember being “in” on Clutch in the beginning, which I guess was around 1993 and their full length debut Transnational Speedway League. They have always been a different and interesting proposition, and now here we all all these years later with the quasi-title track to their 13th studio album Sunrise On Slaughter Beach, due just around the corner on September 16.

This is a very accessible version of Clutch, who I think are one of time’s less heralded and, dare I say, underrated bands. I very much like what I’m hearing here and will be on the lookout for the new album just a stone’s throw away. The second half of the year is picking up steam in a big way.

Nita Strauss – Summer Storm

The badass shredder, apparently having stepped away (but now down) from Alice Cooper and linking up with Demi Lovato, has released a new instrumental song. Nita has a 2018 solo album but this new single does not offer any new album info, at least at this time.

This song is straight fire, it’s a monster guitar track and a showcase of someone who knows how to fly on the frets but also compose a listenable song. Whatever is going on, I’ll assume a full solo album would be a 2023 release, Nita nails everything here. A fantastic tune.

Autopsy – Skin By Skin

In 2022, many of the masters of death metal have departed or gone on to other things. Autopsy, who gave up in the mid 90’s when shit got bad then came back to us in the 2010’s, are back in the new decade. Also I just talked about them a bit yesterday.

This is a lead single from their upcoming album Morbidity Triumphant, due on the 30th of this month. This is a total banger band for me and I’ll be totally at attention when this hits.

Ellefson/Soto – Vacation In The Underworld

Here is the title track from the long-awaited collaboration between Jeff Scott Soto and Dave Ellefson. The project was in the works for a long time but got delayed in the wake of Ellefson’s scandal and dismissal from Megadeth last year. The album sees the light of day on October 7.

The song is suitably heavy, this project seemed destined to shade that direction. I’m curious to see if we get more of a “grab bag” of songs and styles or if the album has a more unified focus, press material leads me to think it’ll be the first one. Not long before we find out.

Witch Fever – I Saw You Dancing

This band is totally new to me, I found them a bit ago when this song and video released and came across my radar. The group have been working out of England for roughly five years now and are about to release their full-length debut Congregation, out October 21.

The band have been described as coming from the punk scene, but this song is total doom/noise and also totally amazing. Their earlier singles do seem more punk in nature but still backed with a massive fuzz in the riffs. At any rate, this awesome song and very well done video accompany the new album that is now very much on my want list.


That does it for this shorter but still impactful list. I feel like I forgot something but quick scans of music sites don’t seem to offer anything. Still no word on Kerry King’s post-Slayer project yet, I expect something in the near future with the information that’s been trickling out the past few months. Maybe next time.

Upcoming Releases – The Next Few Months

I set this aside for a moment as the new stuff wasn’t coming out with as great a frequency, but of course I wait a little more than a week and it all hits at once. Plenty from across the spectrum to talk about this time around.

Dieth – In The Hall Of The Hanging Serpents

An interesting and unexpected opening salvo here. Two-thirds of the lineup makes sense – Gullherme Miranda, formerly of Entombed AD and Michal Lysejko, late of Decapitated, have formed a band. One would expect death metal, of course, and one would get just that. What one probably wouldn’t expect is for Dave Ellefson to be throwing down on bass for this. I know Dave has been involved in a wide variety of projects over the years, but to take up death metal after his dismissal from Megadeth? That’s pretty big.

There is no album information yet but it appears they’ve already been in the studio. They sound like they know what they’re doing, it’ll be interesting to hear what a full project sounds like. Dave Ellefson has several other projects coming up, including an album with Jeff Scott Soto, but I’ll wait until new music from that comes out before getting into it.

Sammy Hagar And The Circle – Crazy Times

This fresh new song is the title track of a new Circle album due September 30 (later on vinyl). Sammy and this outfit of Michael Anthony, Vic Johnson and Jason Bonham had a pretty big hit album in 2019 and are now back after pandemic-related shutdowns. This incarnation of Sammy sees him get back to rocking out and leaving behind his Jimmy Buffet-like persona of earlier years. Not that there was anything wrong with that, Sammy can do whatever the hell he wants, but it’s nice to hear the Red Rocker back at it.

Taipei Houston – As The Sun Sets

This new indie-ish rock offering is a standalone single for now. The new band is a two piece of brothers Layne and Myles Ulrich, who do also happen to be the kids of Metallica drummer Lars Ulrich. It’s a curious call to go in as a two-piece but hey, I’m not here to tell people how to run their bands. The song is pretty good and does leave me interested in hearing more. It’s certainly its own entity and now owing to Lars’ gig in any way.

David Lee Roth – Nothing Could Have Stopped Us Back Then Anyway

Another standalone single, this is a track John 5 recently put out as a tribute to Van Halen. It’s a sappy, sentimental song with a video showing photo highlights of Van Halen’s career. It’s not a song that will feature on DLR best of list but it also works well for its intended purpose. There were some recording sessions that were supposed to be a new DLR album, no telling if the complete sessions will ever see the light of day.

House Of Lords – House Of The Lord

A name I know but couldn’t tell you a lot about, the melodic hard rock outfit is back with their eleventh studio album. The record is called Saints And Sinners and will be out September 16. These guys have stuck true to a sound that became dated just a few years after the band started out in 1988. It’s not the sort of thing I would fall all over myself to get but it’s also pretty good execution and I know these guys have had a fair share of buzzworthy albums over the years.

Goatwhore – Born Of Satan’s Flesh

The New Orleans extreme metallers are prepping to release their eighth studio album, Angles Hung From The Arches Of Heaven, on October 7. Goatwhore have made quite the name for themselves in recent years and it sounds as though they are ready to get back on the attack after a five-year recording absence. They are firing on all cylinders here.

Charley Crockett – I’m Just A Clown

The hardest working man in country music is inevitably releasing his second album this year (and fourth in two years) with The Man From Waco, due September 9. This single from the new album dispenses with pure country and offers some boogie, swing, soul, I don’t really know. It’s a pretty cool track and we’ll see what the full album has in store in a few weeks.

The Cult – Give Me Mercy

Ending today’s list with a new track from one of rock’s most enigmatic bands. The Cult will be back with their first album in six years – Under The Midnight Sun hits on October 7. Give Me Mercy offers some of the same atmospheric alt-rock the group have been employing in the second half of their career. I’ve enjoyed the past several Cult releases so I don’t expect this to go down any differently.

That’s all for this month. We’ll see what’s up in the next installment of upcoming releases – quite possible that Kerry King’s post-Slayer band will be among them.

Chat Pile – God’s Country

I don’t have a “real” post today, I’m gearing up for next week. It’s a big one as next Tuesday marks the one-year anniversary of this blog. It’ll be a post every day next week and work/time constraints along with the insane baseball trade deadline have my attention pulled in a million different directions.

But I have a bit of time to discuss my anticipated new release for today. Chat Pile are a very recent outfit from Oklahoma who have generated quite the buzz through a few EP’s. The group just dropped their debut full-length God’s Country today.

I was eagerly awaiting this album as I’d picked up their EP’s last year. I clearly wasn’t the only one – the album has a pretty insane amount of buzz and people are going about it left and right on social media. They also got a rave review from Pitchfork, a monumental feat in and of itself.

I’m not going to attempt a review of any kind, I’ve played the album twice now and I don’t have those kind of skills. I’ll say that I’m really impressed with the album – the music is a contrast between some honestly pretty smooth though noisy riffing and very, very caustic vocals and lyrical themes. This isn’t full on “metal” as much as a communication of society’s ills with a noisy backdrop.

This album isn’t a celebration of the ills of culture, instead it’s a document of them. Chat Pile are located just a few hours from me and I’ve seen the piles of the toxic lead mining remnants that the group are named after. There are a lot of messed up, suffering people in our region and a very twisted, dystopian government that does nothing to improve conditions. God’s Country spells out what this area looks like and sounds as fucked up as things around here are.

So far I’m very much enjoying this very harrowing album. I’m sure it will be in play toward the end of the year when I get to the work of considering my favorites of 2022. I’m off to enjoy my weekend in this dystopian shithole, have a good one and I’ll see everyone next week as I hit my one year mark.

Megadeth – Night Stalkers

I had to switch post order up a bit, the reason why will be clear in a few weeks. This was originally supposed to be about Woodstock ’99, but with a new additional documentary about to hit streaming, I decided to put off my post about the existing one. Instead I’ll talk some about a new song from one of the bands that closed down the ill-fated festival.

Today I want to go over the new Megadeth song a little bit. Night Stalkers is the second single released from the upcoming album The Sick, The Dying And The Dead!, out September 2nd. The song is really good, Megadeth have established that they are going to be heavy as hell on this record. Both singles shape up for a nice album coming in just over a month.

There are a few odd and/or funny talking points going around about the song. I thought I’d dive into a few of them.

Dave Mustaine’s voice – shot?

The biggest topic of discussion has been Dave Mustaine’s voice. This isn’t new – the conversation came up during the Dystopia album release and tour cycle. Dave is now 60 years old and, well, I guess the pipes just aren’t what they used to be?

Honestly, I’m not hearing any huge impact here. Yeah, dude is old and also battled throat cancer in the late 2010’s, but nothing I’ve heard on either new song gives me any pause. He still carries a tune and also, it’s not like anyone was listening to Megadeth for Dave’s vocal prowess anyway. He’s always taken shit over his voice and while his snarl is unmistakable, it never was Megadeth’s calling card. But even with this new stuff I’m not having an issue with it. I don’t know. We all hear things differently, sure, but I do think sometimes people just like to find things to bitch about.

And even if Dave can’t carry a tune like he used to, the band is playing in such fine form that it doesn’t deter me much at all. Let the old man warble a bit over some of the hardest-hitting metal he’s recorded in ages.

Ice T is on this?

Yes – Ice T makes a guest appearance on the song. He does a brief spoken-word part that fits the song’s narrative and isn’t some weird bit that detracts from the track at all.

It’s almost like Ice T knows his way around a metal song, which of course he does. He has fronted Body Count for decades now, and in fact BC and Megadeth toured together in the early ’90’s. This was around the same time Mustaine heaped praise upon Ice T as a great artist.

And that relationship didn’t stop back then, either – in 2017, Mustaine provided both a spoken word intro and a guitar solo to the opening track from Body Count’s 2017 album Bloodlust. Civil War is an awesome song and here’s my very high opinion of the album overall from when it was Album of the Week awhile back.

The point is this – there is nothing strange about Ice T being on a Megadeth song, it might be called long overdue if anything. And there certainly is nothing wrong with it, even if some amount of keyboard warriors seem to think so.

The origin of Vic Rattlehead

The most exciting part about the new Megadeth video was something I’d heard about when the first song was released but nothing was really confirmed. This video arc, clearly meant by Mustaine to tell a story, is giving us the origin of Megadeth’s long-beloved mascot Vic Rattlehead. At the end of the first single We’ll Be Back, a soldier carries an atomic bomb into the sea in an apparent attempt to save people from certain destruction.

In Night Stalkers, this soldier is in some form of afterlife that resembles the river Styx and the ferryman Charon, though is also termed Hell in official preview clips. The shrouded figure transforms the soldier into the well-known mascot, then Vic returns to the mortal realm to unleash some hell on shadow agents hunting his family (or something, I’m not entirely sure).

It is really cool to see a Vic origin story after decades of his existence. I’d wager Vic is the second most famous heavy metal mascot, behind only the ubiquitous Eddie from Iron Maiden. And with this video arc we get far more of a story for Vic than we’ve ever gotten for Eddie.

I’m really looking forward to see where this story goes. Vic often appears as a tyrant or arms dealer type of baddie on old Megadeth album covers, and his story is clearly linked to some very dark military shadow operations, so we’re bound to get some really intriguing stuff in the upcoming arc. I love stuff like this that gives albums a bit more meaning and lore behind them, and it’s especially great to have this with one of heavy metal’s most recognized (drawn) figures.

That’s where we are with the preview songs for the new Megadeth album. We get some wondering about Dave’s vocal state (fine by me), some clowns questioning why Ice T is on the album, and some cool lore behind the long time mascot of the band. All that’s really left to do is see where the story goes and to get ahold of the new album here in several weeks.

A quick refresher on We’ll Be Back and the origin of Vic Rattlehead