Picking Five Songs From 1993

So now I’m spamming out these “songs by year” posts twice a week. I was supposed to post this yesterday, but oh well. This will help me get through this series by or near the end of the year, it’ll probably bleed a hair bit into 2026 but it will accomplish my goal just the same.

We are now to 1993. For me I was in the middle of high school and now more used to the massively changed music landscape since 1991 blew everything up. Alt rock was the new normal and heavy metal was going in several directions, some weird and some that would shape the genre for decades to come. I was in the thick of it and I was in an odd place where I was both enjoying the stuff I’d see on MTV and also exploring heavy metal’s underground, mostly shaped by this point at what we now call the old school death metal scene.

Essentially the music of the 1990’s was an adverse reaction to the music of the ’80’s and I was more so along for the ride on the side of the 1990’s. As I got older I would come to re-embrace the ’80’s music of my childhood, but at this point I was a 1990’s teenager. Like many dumb teenagers at the time, I felt like Mike Judge was spying on me and my friends when he came up with the concept for Beavis and Butthead. In reality he came up with it a few years before this but let’s not let the truth get in the way of my awesome narrative.

Anyway, enough of long-winded horseshit, as much as I engage in it on a weekly basis on this site. Let’s get into five of the songs I love from 1993.

Dwight Yoakam – A Thousand Miles From Nowhere

I have to keep this short so I won’t get huge into it, but most of my appreciation for 1990’s country came many, many years later as I let go of old biases and learned to appreciate the medium. The particulars of this would take too long to discuss, but one song I did really love at the time was this cryfest of a breakup song from Dwight. This cut from his mega hit album This Time hit with me the first time I ran into it. I can’t remember for sure because this was all over 30 years ago, but I kind of think MTV even played this a bit, but whatever the case I was exposed to it and became a fan of Dwight’s through this song. Fantastic stuff.

Tool – Sober

Now for what I was more into at the time, the concept of alt-metal showed up in full force by 1993. This was the introduction to Tool for most of us and it was a whale of a hit. This has crushing riffs and a hypnotic beat as the lyrics weave a tale of someone caught in addiction and not getting out. The video was also a massive talking point, with claymation figures made by guitarist Adam Jones and an eerie stop motion approach to the flick. People can say whatever they want about Tool and they often do, but this was a total mindfuck back in the day.

Cracker – Low

This was the year Cracker came around with what became their big hit. This song was all over MTV and other airwaves and has endured years later. This song is interesting because it fits the “woeful dirge” style but also has a massive amount of swagger to it, it is far more powerful than its mournful tone would imply. I also don’t know what in the hell they’re talking about in the lyrics, things were very obtuse in music around this time but the song rocks so that’s all I really need.

Carcass – Heartwork

This year Carcass chose to continue their evolution away from their grindcore past and fully embrace the strains of melodic death metal. It was great timing, as that scene was emerging out of Gothenburg, Sweden at the same time. Carcass put their own English stamp on the scene and delivered a clinical, precise and still brutal set. The title track of this album sees a tortured artist and, well, a tortured art piece, as the artist tries to assemble his masterpiece from the dismembered remains of his muse. This song had a bit of an extra kick in the ass along with it.

Sepultura – Refuse/Resist

The Brazilian masters of heavy released their seminal Chaos A.D. In 1993. The opening track is a brutal and noisy offering that showcases political and social unrest alongside a more groovy and tribal-oriented musical style in contrast to Sepultura’s thrash and death metal past. It remains as one of the band’s standout tracks to this day.

That wraps up 1993. Next week we’ll continue to plumb the depths of the mid-1990’s and cover when I exited school and entered the “real” world.

Cracker – Teen Angst (Song of the Week)

This week’s song heads back to 1992 and the alt-rock scene to dig up some old treasure. While a lot of retrospectives like to paint the early ’90’s as mired in grunge, there was a fair bit of other stuff out there to check out, and Cracker gained early notice with their debut single.

Teen Angst (What The World Needs Now) did stand out from the crowd on MTV – it’s a bright, guitar-driven song with cheeky lyrics in a video clip that features nothing more than the band playing their instruments while dressed in silly gear while standing in a field.

Cracker were not necessarily “alt-rock” in the truest sense – their music incorporated elements of country and roots, and the band’s principal members David Lowery and Jonathan Hickman were very wary of any genre tags. But Teen Angst was certainly an alt-rock tune in the alt-rock era, and even with the band’s varying tastes and influences, the song got plenty of play on the airwaves.

Teen Angst has a pretty standard and familiar for-the-time musical bent. Its lyrics also don’t reinvent the wheel but are pretty sly and smart in their own way. The world may need this or that, but kicking back with a drink is probably the safe approach to it. And I don’t know how folk singers came to take the brunt of the chorus’ wrath, but it’s pretty funny stuff. And in the end it does what a lot of songs seek to do – pick up the lady.

Teen Angst would hit the top of the Billboard Modern Rock chart and get position 27 on the Mainstream Rock Tracks chart. It did not chart on the Billboard Hot 100, in fact Cracker had very little success on that chart, even with their most-known song from 1993, Low.

That makes for an interesting conversation about “one-hit wonder” status, which is typically measured by the Billboard Hot 100 and getting one song on it to the top 40. Cracker didn’t do that at all, so what does that really make them? The one-hit wonder thing is an odd conversation, for my money it doesn’t really apply to Cracker since I feel like Teen Angst was a decent success along with Low, though this kind of stuff is hard to arbitrate.

Cracker always have been a unique entity anyway – they had some degree of success with albums and singles through the early ’90’s but never truly had massive status there. Their music does go in several different directions and each album is a bit of a journey. Their main draw has always been on the live front, where they have been a viable touring act since their formation.

Teen Angst is a nice slice of life from back in 1992 – fits the scene very well while also standing out from it, but is also a great song to check out 31 years later. Some songs just work no matter what era they’re originally from.