Tales From The Stage – Nine Inch Nails

Gonna turn back the clock to the year 2000 and talk about a much-anticipated show I took in. The gig was Nine Inch Nails with A Perfect Circle opening and it took place at the end of May in St. Louis. It was a gig with some marquee names and – well, something of a crowd, anyway.

No massive build-up for this one, it was pretty simple – NIN booked the gig, we got tickets and went. The show was at what was then called the Riverport Amphitheater outside St. Louis. If that name sounds vaguely familiar, it’s because it was the scene of the infamous Guns N’ Roses riot in 1991. (As opposed to the 1992 riot in Montreal, which was indoors). We had pretty decent seats that were under the awning, which extended a bit past the stage. The bill was simple – APC first, then NIN. No other openers or anything that I recall, and online archives seem to back me up.

A Perfect Circle were just getting started in 2000. Their debut Mer De Noms had just released a few days prior to the show, while the lead single Judith was getting a lot of play on the airwaves. The band was formed by Tool mainman Maynard James Keenan and his friend, guitar tech wizard Billy Howerdel. The album and touring cycle would prove immensely successful for the group and defined the band on their own terms as opposed to being Maynard’s side project.

APC would air a 40 minute set out in their opening slot. Given the compact nature of their songs this gave them time to play all but one song from Mer De Noms. Maynard opted to sing the gig front and center as opposed to his usual antics he gets up to in Tool, though I don’t recall any stage banter from him. The band played well and ran through the album, though not in album order. Future singles The Hollow and 3 Libras saw time and they wrapped their set up with the hit Judith.

One of the few clips I could find as opposed to full shows. This show is from a date after the NIN tour but still in 2000.

During their set a bit of rain fell from the sky. Our seats were a bit under the amphitheater roof but still close enough to the edge to get wet. It wasn’t a downpour or anything and it only lasted a moment but I did take a mental note to get seats closer if I wanted to avoid being caught in anything. The weather wouldn’t be a factor at future gigs there (rain-wise, anyway).

After the stage changeover it was time for the main event. Nine Inch Nails were touring the US on their 1999 double album The Fragile. While the album was lengthy it had gone over pretty well with the fanbase so the tour served as a showcase of that album as opposed to being a hits set with just a few newer tunes sprinkled in. The 19-song set would feature 3 tracks from the debut Pretty Hate Machine, 3 from the seminal Broken EP, 4 from the magnum opus The Downward Spiral and the remaining 9 all from The Fragile.

Trent and company made their way through their romp without much fuss. Much like Maynard and APC, there was not a ton of inbetween-song banter to be had from Trent Reznor. He did comment “fuck you pigs” at one point, without elaborating on who exactly he was referencing. He might have belched out another thing or two but it was pretty much get one song done and get on with another. Of course, one doesn’t go to a show that Trent Reznor and Maynard James Keenan are fronting for stage banter. Sammy Hagar was around a few months later, if memory serves.

One of The Fragile’s best songs with bad video but great audio from the same tour

I will say one thing – the crowd was very much not about energy that night. I mean, I suppose we can consider Nine Inch Nails a more ponderous experience than a straight up rock n’ roll band, but there just wasn’t a lot of life in the crowd. I thought it was a bit lame but honestly it didn’t detract from my enjoyment of the set. It would mark the start of generally lame Missouri concert crowds I would notice in the future, though (with some exceptions).

There was a bit of energy in the crowd at one point – in the aisle not far from our seats, a few people got into a fight at one point. I have no clue what they were into fisticuffs about since I was, like, listening to Nine Inch Nails, but they had it out over something. The fight didn’t last long – security came out and absolutely messed these two up. One of the combatants got thrown straight into the concrete. Remember, this is the very place that Axl Rose tore to the ground nine years earlier and the birth of pre-9/11 big concert security. The fight got broken up in far more brutal fashion than the fight itself went.

Undaunted by action they probably didn’t see, Nine Inch Nails pressed on with their visit through The Fragile and other works. They played a handful of other hits, stuff like Sin, Wish, Gave Up and Terrible Lie were all welcome inclusions. They wrapped up the set proper with obvious hits Closer and Head Like A Hole, before coming back for an encore that featured a few Fragile tunes as well as the finale Hurt. We were still a few years away from Johnny Cash working his magic with that song.

I was a bit stumped that they did not include The Fragile single We’re In This Together Now, but it was not to be found that night. And while it wasn’t a breaker for me, I would’ve loved to hear Last and Burn, though I think the former wasn’t played much live until several years on from this show.

Overall the concert was a good experience. It does mark my first and, to date, only time seeing either band. I would like to see them again, especially Nine Inch Nails, but we will see what time and circumstances have on hand. Both bands did great in the house that Axl Rose tried to unbuild.

One other note – at one time I had the Nine Inch Nails performance on burned CDs. This was back in the wilderness days of eBay and they let people get away with selling bootlegs. I didn’t pay much for it, less than $10. It was a cool memento to have but sadly I lost the discs before the age of digital ripping really caught on and I don’t have access to the set anymore.

Sin, from an earlier stop on the same tour

Tales From The Stage – King Diamond, 2005

It’s time for another concert recap, this time I’m going back to 2005 when I went to see one of metal’s legends live. It was my first and to date only time seeing him. The tour was supported by 3 bands that have gone on to become bigger names in the extreme metal community. There were also some snags getting to the show that led to a less than optimal experience, at least for a moment.

The show took place in April 2005 and the lineup was King Diamond with Nile, The Black Dahlia Murder and Behemoth as support. The show was at Pop’s, a large club on the Illinois side of the Mississippi River in St. Louis. It’s one of those bars that only closes down for an hour to clean up or whatever, but is the perfect size to host gigs.

At the time I lived about 100 miles from St. Louis. I was heading to the show on my own. Several friends of mine were covering a greater distance from the other side of the state (where I live now). We met up on the way and I parked my car and rode with the group.

On the way we got snarled in a large traffic jam due to a semi trailer wreck. It took a lot longer than usual to make the trek and would cost us the chance to see the opening band. When we got to the venue I had it in my head that The Black Dahlia Murder was playing first, but I was crestfallen to find that Behemoth was the one almost done with their set. I was very much looking forward to seeing Behemoth whereas I was indifferent about TBDM at the time. I think we got to see maybe two songs from Behemoth and it was a bit of a downer. But there was still plenty of metal to go.

The Black Dahlia Murder came up next. I wasn’t very familiar with them at the time and I was a bit peeved that I didn’t get to see Behemoth. Not TBDM’s fault, of course, but I wasn’t fully vested in their set. I spent time milling around and catching up with the large number of friends who made the trek to the concert. My memories are a bit muddled from attending too many shows over the years but I believe I’ve seen them at least one other time since then and gave more attention to their performance. Still they played on and have made quite the name for themselves in the years since this show.

Nile took the stage after The Black Dahlia Murder. By 2005 Nile was already a hot commodity on the death metal circuit. They were the band that essentially brought the genre back into public attention after a lull in the late 90’s. Their brand of Egyptian-themed death metal along with technical and symphonic elements had put the world on notice. This concert was a month ahead of the release of their Annihilation Of The Wicked album.

Nile had plenty of material by this time for their direct support slot. They had established themselves with now-classic albums Black Seeds Of Vengeance and In Their Darkened Shrines. The upcoming album Annihilation… would only add to their epic death metal legacy. Nile’s stage show was a no-frills presentation with mainman/guitarist Karl Sanders pausing between songs to set samples for the next tune. It stood out in contrast to the theatrical nature of King Diamond and also Behemoth, but Nile’s music brought the goods and did not require an elaborate stage set to keep up with their tour mates. The crowd was full of more old-guard metal types there to see King who might not have taken to the more extreme nature of Nile’s music but I noticed that most of the group was into the set. It was in this time that the old guard and new of metal put up a united front and offered a diverse array of touring packages that didn’t try to nitpick subgenres or suit the tastes of one segment of fans. It was all hands on deck for heavy metal’s resurgence in this time frame.

I couldn’t find a good 05 clip so 03 works

After Nile exited the stage things were set up for the main event. King Diamond had made a career of theatrics and was going to put on a splendid set. A large fence that aped the appearance of wrought iron was put up and of course plenty of fog would churn out through the performance.

King Diamond’s twin guitar attack would feature his longtime compatriot Andy LaRocque as well as Mike Weir, who had been with King both solo and in Mercyful Fate for several years. LaRocque was a world renowned guitarist and producer with a fistful of credits to his name but his main gig has often always been with King Diamond.

By this point in time King Diamond had 11 studio albums recorded so his set would hit upon several of his works. The Puppet Master was his most recently recorded effort from 2 years prior, a few of those songs were interspersed with works from his classics like Abigail, Conspiracy and Them. While King Diamond doesn’t have a signature “hit” per se, the track Welcome Home from Them might serve that station and was aired that night.

King Diamond was in fine form on stage that night, his signature falsetto ringing out bright and clear. He made plenty of time for banter between songs, referencing that he had not played in St. Louis in many years and was happy to be back. He would often call the city “San Louis” which fit his exotic persona. The haunting backdrop with the fence and fog perfectly created Halloween in April.

King and the band would air out a few Mercyful Fate tunes during the retrospective set. Come To The Sabbath and Evil saw time that night. The set hit the highlights of King’s career while also giving a bit of time to more recent tunes from Abigail II and the aforementioned Puppet Master. It left the crowd happy to have seen one of metal’s legends grace the stage in St. Louis again.

A way more recent version, but live footage from the 2005 era is hard to find

Time would go on to be kind to the acts featured on stage that night. Nile would continue their dominant run through death metal, while Behemoth and The Black Dahlia Murder have gone on to become two of the hottest tickets in metal today. King Diamond would release one more album in 2007 before a serious health scare stalled his career for a few years. He has since returned to the touring circuit and is planning a new studio record. He has also reunited Mercyful Fate, though their touring plans were cut short by the pandemic.

It was very nice to see King Diamond that night, it has to date been my only time seeing him in concert in any form. I have since seen both Behemoth and The Black Dahlia Murder again, but haven’t had the occasion to catch Nile again. It was a shame to miss Behemoth’s set that night due to traffic but the rest of the show more than made up for it.