Tag: rock music

Picking Five Songs From 1989

On By bigbadburchIn Songs By Year6 Comments

Welcome back to the “five songs from a year” series. Simple premise, as always – I choose five of my favorite songs from a particular year (not necessarily my five favorite, just five favorites). I started at 1967 and will run all the way through 2025.

Today is bittersweet as I’m now 22 entries into the series, which is really good. But it’s also sad since this is the final entry from the 1980’s. I grew up in that decade and it was a wonderland of entertainment of all avenues. It’s an era that hasn’t been, and probably can’t be, replicated.

All things must come to an end though, and here we are at the end of the ’80’s. Let’s get into my five picks from the end of the line.

Mötley Crüe – Kickstart My Heart

The Crüe had themselves a banner year in 1989. Their album Dr. Feelgood was a well-produced and written affair that saw them ride the end of the hair metal wave on top. The album contained this song, which ranks among the band’s very best. This is a total ass kicking burst of adrenaline that celebrates the band’s triumph of adversity and Nikki Sixx’s cheating death a few years prior. It doesn’t get much better.

Neil Young – Rockin’ In The Free World

Neil Young did NOT have a good decade in the 1980’s. He recorded some off the wall stuff and literally got sued for not sounding like himself. He spent the latter part of the ’80’s righting the ship and then lightning struck at the ass end of the decade with what has become one of his most well-known songs. Neil wrapped up criticism of the first George Bush administration in both poignant and noisy form. The political ramifications of the song have lived on for nearly 40 years since and the track is one of Young’s most beloved cuts from a discography that has roughly 9,000 albums in it.

Nine Inch Nails – Sin

The times they were a changin’, and the proof was in the pudding even before the decade turned. One signpost of the change was the advent of industrial and electronic music, and Nine Inch Nails would lead the charge into the next decade. This one has a bit of a dance beat to it, which isn’t really my thing in general but I’m cool with what Trent Reznor gets up to here. The song is about power struggle, control, lust and other cool stuff like masochism. It’s a twisted good time.

Aerosmith – What It Takes

When that gal who you had that crazy fling with in the last song is done with you, you can lean on this somber ballad from Steven Tyler and company to pull you through the tough times. This isn’t just a breakup song, it’s a lament of the most painful kind of loss, the end of that deep relationship that was supposed to be “the one.” The band did work with Desmond Child to craft this one but wanted to capture a different essence than the “big-time” ballad they went for on the album prior. I’d say they hit a home run.

Faith No More – Epic

Another sign that things were about to get a lot different was Faith No More’s 1989 hit album The Real Thing. It was their first with new singer Mike Patton and the band would become one of the harbingers of the coming weirdness of the next decade. This one would combine hard rock and a rapping vocal style, so feel free to direct the blame for nü-metal right here.

But there’s a lot more here than the primordial ooze that Korn and Limp Bizkit would crawl out of. This has pounding verses and a soaring chorus that will get wedged into any listener’s head. It’s full of musical movements and switches, including a moving piano outro that really flips things on its head. Faith No More were out in left field even for the coming alt-rock revolution, and the next decade would have their stamp all over it.

That does it for 1989 and the golden decade of the 1980’s. Next week I press on into the sea of changes that turned popular music on its head.

Picking Five Songs From 1988

On By bigbadburchIn Songs By Year3 Comments

We are now to 1988 on this long-running series where I pick five of my favorite songs from a year. Yes, this will run all the way through this year. I imagine this will bleed into next year at this point since I took a good chunk of the early year off, so I’ll go ahead and pick five from ’25 as well.

But we’re a long damn ways away from that. Today we head to 1988. Rock was still running strong in its hair phase, though time was running out on the art form. Things were getting heavier and heavier on the metal end of things, as what we now know as extreme metal saw regular releases in ’88 and beyond. While I do love some 1980’s pop, I had kind of moved away from it by this point and was far more entrenched in the rock and metal end of things. By the time we get to the 2000’s, many of you may not recognize anything I post. But, again, we’re not there yet.

It is 1988, at least for a few minutes around here. Here are five of my favorite songs from the year (as always, not necessarily my five favorite, just five of my favorites). Enjoy.

Queensrÿche – Eyes Of A Stranger

Starting off with the final track of what is my favorite album of all time. Operation: Mindcrime is a metal “opera” with a ton of political intrigue, murder and suspense, and Eyes Of A Stranger wraps up the album better than pretty much any ending to anything in history. The main charcter Nikki is locked up in a prison mental institution, left to recall the sordid events of the album in a drugged-up haze. The production on this song and album is absolutely perfect, and the song’s drive and melody are otherworldly, as is of course the vocal performance of Geoff Tate. There are few finer examples of a song around.

Death – Pull The Plug

Death metal had been on the scene for a few years, and by ’88 it was really getting into gear. Leave it to the namesake band to deliver an all-time classic. This “thrash on steroids” delivered a savage beating to the eardrums of metalheads brave enough to move beyond the mainstream. While Death would go on to become a technical powerhouse, Pull The Plug is some good meat and potatoes, basic death metal.

Bathory – A Fine Day To Die

From Bathory’s fourth album Blood Fire Death, this saw Quorthon blend his now patented black metal with more melodic influences, eventually coining the term Viking metal. This song is an epic journey told through a group who are facing their likely end in battle. It’s a massive song that inspires even my sedentary ass to get up and strive for Valhalla.

Candlemass – Mirror Mirror

And now time for a little doom. Candlemass of Sweden had cut their third album by this point and were in the middle of an arc that is now considered hallowed in the pantheon of doom metal. While doom is traditionally slower, this is one of several Candlemass songs that runs at a faster clip at times. It’s an enchanting track about a cursed mirror that swallows the souls of whoever peers into it. The song is aided immensely by the power and range of the “mad monk” Messiah Marcolin, a true treasure of metal vocals.

Iron Maiden – The Evil That Men Do

And we wrap up with another Iron Maiden song. This one hails from Seventh Son Of A Seventh Son, which as I’ve relayed in the past is my favorite Maiden album. The song itself has a few complexities musically but is honestly one of the “simpler” tracks from the album. It is a forward, speedy driver and doesn’t let up throughout. Lyrically it is quite complex, as it deals with the album’s story of a child born of the Devil who gets up to some shit. This song is just before the child’s birth, if I’m recalling the story correctly.

That covers 1988. We are only one year away from putting a bow on the grand decade of the 1980’s. Things really do switch up after we enter the next decade.

And before I go, another quick programming note – I will continue this weekly posting format for what seems to be another four weeks, if I’m counting right. It’ll be a song and also this post, and perhaps another post in the middle of the week. I will run like this up until July 5, which is slated to be Ozzy Osbourne’s final concert. I do intend to livestream that event and I will provide a recap of it that following Monday. The week after that I will return to posting albums on Mondays, and I actually have a backlog going at this point so I should be able to keep up. ‘Till then.

Picking Five Songs From 1987

On By bigbadburchIn Songs By Year12 Comments

And now we’re on to 1987. This was a massive year at the top end of rock. It’s pretty crazy – the albums Hysteria, Appetite For Destruction and The Joshua Tree sold a combined 75 million copies worldwide. Two of those albums didn’t really gain steam until a year later, but that’s a different story.

Things were moving on musically in the later 1980’s. A lot of bands seemed to be chasing the brass ring and not quite grabbing it. Acts that had vital, fresh albums a few years back were now stagnating. There’s still plenty of good music to be found, but in retrospect, the signs of the coming nuclear assault of 1991 were already there by ’87.

But there’s no need for massive analysis of everything. All I really need to do is pick five songs I really like from 1987. Not necessarily my five definitive favorites, simply five of my favorites. This is a fast and loose exercise so let’s get into it.

Mötley Crüe – Wild Side

The Crüe got back to form after a bit of a letdown a few years prior. Wild Side is a heavy, pounding track that outlines the sleazier part of life. Not everything was fast women and good times in the ’80’s, there was a seedy side to things and Wild Side captured the grit and grime of the streets at night. This is one of my very favorite Crüe songs.

Guns N’ Roses – Welcome To The Jungle

1987 was the year GnR were thrust into the wider world. It would take them a bit to break, but break they did, to the tune of selling 30 million copies of Appetite For Destruction. The tune that really gets me going is the album’s opening track. It is a monster song, and much like the one from their bitter rivals above, relays how the big, bad city can swallow you whole. This threw a whole new level of intensity into the rock scene and made titans out of Guns N’ Roses.

Whitesnake – Still Of The Night

David Coverdale was not to be left out of the big winnings of 1987. Gambling his whole fortune on the album he’d just crafted, he would be paid back in spades as his album sold 10 million copies. While honestly just a song about a romp between the sheets, this is laid out with great care, featuring movements and interludes and the dynamite guitar of John Sykes. This song could be considered Whitesnake’s greatest triumph, though that’s not a question I’m here to discuss today.

U2 – Where The Streets Have No Name

U2 were big winners from 1987, bringing in a haul from their 25 million plus selling The Joshua Tree record. I’m not the band’s biggest fan but there’s no doubt that the album is a piece of work and that this song is absolutely stunning. This is simply a massive rock song packed with emotion and imagery that is too vivid to escape.

Dio – All The Fools Sailed Away

By 1987, Ronnie James Dio was operating without his wunderkid guitarist Vivian Campbell, who departed the band in acrimonious fashion. Though Dio’s “golden era” would be over, he was still capable of striking gold, as he did on this magnificent track. It’s a splendid quasi-ballad that stands alongside his prime cuts as one of his best works.

That wraps it up for 1987. Just two more years of the golden 1980’s to go, then things get really, really different – both in music and in my tastes.

Scorpions – Send Me An Angel

On By bigbadburchIn Song Of The Week6 Comments

Programming note – for the time being, I will keep with the format of doing a song each week, perhaps one other post, then my weekly “five songs from a year” thing. I am working on some album posts and I will resume those on Mondays when I get some posts together and can actually be working ahead for once.

Today let’s step back in time to 1990. The music world was on the cusp of huge changes, but one institution that was still running strong “as is” was the Scorpions. The German machine found great success in the early and mid-80’s, though they did flag a bit in the latter part of the decade.

They would enter the 1990’s in style, though. The album Crazy World would sell great all over the world, giving the band their only number one record in Germany. It hit silver in the UK, their only album to do so there. In the US it hit 21 on the album chart and went on to double platinum status, a very hot seller and just behind Love At First Sting as the band’s best-selling album.

The Scorpions released four singles from the record – the first two were fairly standard Scorpions rockers, while latter two were both ballads. That third single, Wind Of Change, would become the band’s biggest hit, while the fourth and final single is the reason we are gathered here today.

Send Me An Angel was released as a single in September 1991, nearly a year after the Crazy World album release. The song did modest business on the charts, going to number 44 on the Billboard Hot 100 and 8 on the Mainstream Rock chart. It had several top 10 placements throughout Europe, where Wind Of Change had previously scored at the top of those charts. It’s also worth noting that the single came out in the “ground zero” month of 1991 for the grunge takeover of MTV and radio. The Scorpions were able to keep steady while many other 80’s rockers were consigned to the scrap bin in this very time, and the Scorps were at the tail end of this album cycle.

For one other little bit of trivia, the single’s cover depicts a burning angel along with a band photo. The angel was used again a few years later as the cover for Black Sabbath’s Cross Purposes album. Sadly, the gents in the Scorpions did not also make the Sabbath cover.

Today’s song is the album’s final cut and follows a second side of steady rock and roll tracks. This ballad is a lot different, with a ethereal vibe and very atmospheric setting. It evokes a lonely wanderer in a desert setting, which the song’s video plays into.

Lyrically the verses offer the words of a wise man who provides encouragement, while the chorus is Klaus Meine offering the plea for an angel. I’ve always enjoyed when ballads go for lyrical content beyond the typical ’80’s fare of trying to get a woman’s pants off.

Send Me An Angel is a fantastic entry on the list of Scorpions ballads. While Wind Of Change was the band’s colossal hit, I’d argue that this one is the better song. And even while the Scorpions may have crafted their ultimate ballad with the titanic Still Loving You, this song is a worthy competitor in the ballad battle arena.

Picking Five Songs From 1986

On By bigbadburchIn Songs By Year10 Comments

Ok, so quick update first – just as I was getting ready to start blogging again last month, we wound up buying a house so that took up a bunch of my time. We are now moved and things are getting settled so I have time to get rolling again. Hopefully I can get going here again now that I’m mostly settled. It might take a minute but I should be fine.

We move on now into the later 1980’s with this long-running series. Things were getting bigger and bigger for rock music, though it could be argued that the quality was starting to wane in comparison to the absolute gold of the early decade. Rock was going hair, hair, hair; while heavy metal was getting heavier and heavier. And pop was starting to get weighed down by pale imitators of the sound that was a goldmine a few years prior. But this year was pretty good, as many acts who were “off cycle” the year prior are back and cranked out some quality music.

As usual, this is simply five of my favorite songs from the year. It is not a definitive “top five,” this is a pretty fast and loose exercise.

Iron Maiden – Stranger In A Strange Land

Maiden came back off their world-conquering campaign to kick off their “synth” arc. The results were splendid and this single is one of my all-time favorite Maiden tracks. The song is about an Arctic expedition that discovered a long-dead explorer, it is not related to the famed novel of the same name. While this one keeps the pace reigned in, it doesn’t lack for intensity as the power and melody combine to offer up the long-frozen explorer’s tale.

Queensrÿche – Screaming In Digital

This is almost a rock opera type song about man versus machine, and the now suddenly relevant topic of AI. The lyrical fare might be fresh nearly 40 years later, but the music on this is ungodly and timeless. The instruments and samples are a mesh of chaos, and Geoff Tate delivers while might honestly be his finest vocal performance ever as he handles the tradeoff “arguments” between man and machine. One of my favorite songs of all time.

Motörhead – Orgasmatron

Up next is the venerable legends with one of their many signature offerings. This is a slow, doom-laden marcher that explores the world of war, religion and political power, those dark masters that have taken the lives of many over the centuries. It’s all distilled here in the raw, primal form that only Motörhead can muster. As with the first two offerings, this ranks among my all-time favorites of the band’s catalog.

Metallica – Damage Inc.

1986 was a banner year for the band that would go on to become heavy metal’s biggest act. They released Master Of Puppets, which is often hailed as the quintessential thrash album. The album’s final track is a blistering slab of thrash, and again a song aimed at the bloody power corporations wield over rank and file citizens. The song serves as the final testament of Cliff Burton, mortally departed but always looming immortally over the metal scene he helped shape.

Dwight Yoakam – Guitars, Cadillacs

A bit of a curveball here, given the sheer amount of other heavy music that was released in ’86. But this cut from Dwight’s debut album has long been a favorite of mine. This was a good bit of barroom twang in a time when country was in a bit of a stale, pop-oriented direction. It remains one of Dwight’s top songs from a long and storied career.

That covers 1986. Next week we’ll see what’s up with one of rock music’s biggest ever years.

Picking Five Songs From 1985

On By bigbadburchIn Songs By Year3 Comments

Moving on with this series it’s time now for 1985. This year was not quite as spectacular as years past. A lot of the acts that cranked out music in 1984 were off cycle for this year, it was touring and live albums and not anything from the studio. And those who were on cycle didn’t necessarily release their best output. Still, there is stuff to be found here so I’ll sift through it and identify five songs I like from the year.

John Mellencamp – Rain On The Scarecrow

1985 might have been a down year for some, but it was a banner year for Mellencamp. Scarecrow remains a high water mark in his catalog and the quasi-title track is an absolute banger that laments the plight of the family farmer. It wasn’t pleasant for the small-time farmer back then and it’s no better now, if there are even any left. This song remains a lament to that way of life and also one of Mellencamp’s best tracks.

Slayer – Hell Awaits

Slayer came out with their second album and it showcased a more honed-in thrash attack compared to the debut. Still evil and sinister as can be, the song lays out what awaits for all of us heathens who headbanged to this over the past forty years. This song in particular is very brutal and fast, perhaps a taste of what was to come on the next record.

Heart – What About Love

The Wilson sisters finished recalibrating themselves for the 1980’s and offered up a self-titled album that conquered the airwaves and reshaped their sound into 80’s rock. Here we have a cover song, though one unused by the group Toronto after they wrote it in ’82. Heart would ride their version to the top ten and this single kicked off their “hair era” in style.

The Cult – She Sells Sanctuary

The Cult were one band who did strike in both 1984 and ’85. Their second album Love hit in ’85 and was the band’s breakout record. It was helped along with this single. The song is mystical, melodic and entrancing. This song also had a life on the dance circuit but it’s the original version I’m concerned with here.

Accept – Metal Heart

Accept also had back to back records in ’84 and ’85. Metal Heart was another in a line of prime German metal albums that ran through the early and mid ’80’s. The band fused a few classical music pieces into the song, both showcasing the link between classical and metal and also playing into the hilarious stereotype of metal showcased by Spinal Tap a year prior.

That wraps up 1985. Next we’ll press on into the later 1980’s and see just how the years play out before the world of music would be turned on its head with the turn of the decade.

Picking Five MORE Songs From 1984

On By bigbadburchIn Songs By Year4 Comments

I was supposed to post this like last month or whatever. Better late than never I guess as I get the ball rolling on this long-running series again. This is the bonus post for 1984. I did part one last month in case anyone forgot, which is probably everyone since it was awhile ago.

As always – these are five (or for this year ten) of my favorite songs from a year, not necessarily my five absolute favorites. Nothing definitive here, though these are in the ballpark. Whatever the case, let’s get to it.

Prince – Purple Rain

I’ll start off with the spectacular power ballad from the seminal album and film that turned Prince into a massive superstar. This is a gorgeous song that explores coming of age and the day of judgment, which I guess will involve rain. Not sure my copy of Revelations mentions that but I digress. While Prince showcased an array of instrumental and songwriting prowess to this point, here he lets his voice get in on the action.

Bruce Springsteen – Born In The USA

The Boss wrote this to recall the hard times Vietnam War vets faced when coming back into society. The song got confused by some as a patriotic anthem, but it is most certainly not. Rather it’s a dire look at people whose lives are essentially dead ends – no jobs, no hope, no future. I don’t know how so many people got the message mixed up, I turned seven the year this came out and I understood what it was about. No matter though, it is an awesome song and one of Bruce’s shining moments.

Hall and Oates – Out Of Touch

This crazy track was the final top ten hit for the massive pop duo. It’s quite the electro-dance number replete with the smooth harmonies Hall and Oates were famous for. I’m not a “fun and dancing” kind of person but even I can jam out to some Hall and Oates. This was a great way for them to cap off their electric string of hits through the early ’80’s.

Dokken – Don’t Close Your Eyes

This quasi-ballad but super hard rocker was one of many shining stars from the amazing Tooth And Nail record. This song is the perfect marriage of Dokken’s rock attack and melodic sensibilities that would come to define the “hair metal” era.

Ratt – Back For More

This song was re-recorded from an EP released a year prior, but the Out Of The Cellar version is one of many kick ass tracks on an amazing debut album. But this song is the one that puts it all over the edge for me, it’s snarling and pounding and right in your face. Ratt’s sound and presentation would go a long way to defining the 80’s metal movement for sure.

That does it for my bonus 1984 content. It’ll be 5 songs a year from here on out, and I think with my massive procrastination this series will now run into next year. But I’d have to count too much to figure it out one way or another, I’ll know more come September.

Picking Five Songs From 1984

On By bigbadburchIn Songs By Year7 Comments

I am still running through the years on this very long series. And here we are at 1984. Funny that, given that I spent a great deal of time last year discussing the music of ’84 on its 40th anniversary. Had I kept to my original posting schedule I would have gotten to this last year, but I was both busy and lazy so here we are.

Given that 1984 is special in my lexicon, I’m going to do something a bit different here. I’m going to offer up five songs today, and then I’m going to do five more tomorrow. This was always the plan on ’84 when I got to it. In a way it’s “cheating” since I’m only supposed to pick five a year, but it’s not like there are any real rules to this anyway. It’s just something I saw other people doing and stole from them.

At any rate, let’s do five songs from 1984, then do it all again tomorrow.

Queensrÿche – Take Hold Of The Flame

This ripper still stands as one of the band’s most immortal offerings over 40 years later. This was one hell of a debut full-length for a band who got signed to a record deal without playing a show. It’s a motivational tale, one lamenting those who did not, in fact, take hold of the flame.

Judas Priest – The Sentinel

My favorite Priest song of all time was bound to make this list. It’s a badass tale of some dark avenging force that wipes out all his enemies. Very dank guitar work here leads to a massive, heavy atmosphere and Rob Halford singing “sworn to avenge” in his unholy voice puts it all over the top.

Iron Maiden – Rime Of The Ancient Mariner

My favorite Maiden song came out in ’84 but I’ve spent enough time going over 2 Minutes To Midnight. This time I chose the monster epic based on the hit poem of the same name. This was the band’s longest song for 37 years and every second of it is massive and pounding. A true heavy metal masterpiece.

Van Halen – Hot For Teacher

1984 was Van Halen’s triumphant year (and album). This song was one last blast of fun party rock before the classic Van Halen era came to an end. Alex played a monster drum intro and the song celebrates the ages-old concept of being into a teacher. Fun all around.

Mercyful Fate – Gypsy

It’s time for some evil, as King Diamond and company romp through a dark visit with a mystical woman. It’s a great, catchy riff and replete with the signature King Diamond vocals. This one is a bit “simpler” than other MF tunes but it works extremely well.

That does it for this first installment of 1984. Tomorrow I’ll bring five more songs on a rare weekend post as a bit of bonus content.

Picking Five Songs From 1983

On By bigbadburchIn Songs By Year9 Comments

I obviously have not been on much lately. I am looking to return to more regular posting in the next few weeks.

We are now up to 1983 on this long-running series of picking five songs from a year. As is the case with all of the 1980’s posts, these are tough to nail down and this list should be taken as “five of my favorite songs from the year” as opposed to “my set in stone five favorites from the year.”

1983 is particularly challenging as there is a ton of stuff out there. In some respects it might have even been easier – I picked five songs in about that many seconds when I looked at the music released that year. I did a bit of looking around to make sure I was comfortable with my picks and I am, but wow there’s so much stuff that got released that year. Doing just five songs is like trying to fill an ocean by pissing in it, but five keeps things short and simple so I’ll stick with it. Let’s get into 1983.

Metallica – The Four Horsemen

Thrash was now on the scene and with it one of heavy metal’s most significant acts. This savage tale of the famed Four Horsemen of the Apocalypse from the Book of Revelations in the Holy Bible was right up my alley when I first played Metallica way back when. It’s a fun-filled romp through the end times, replete with horse galloping riffs and neck-snapping thrash aplenty.

Also – Dave Mustaine would very much like for you to know that he wrote this song originally, Metallica redid the lyrics and added some stuff after they shitcanned him from the band.

Mötley Crüe – Shout At The Devil

The Crüe were back with their second album and it would be both career- and genre-defining. The title track is an absolute ripper with its so simple yet effective sliding intro riff and lyrics about combating the influence of the Devil, though many in society would interpret the song differently. Still one of the greatest things ever recorded, hands down.

The Police – King Of Pain

The Police had a mega-hit album in ’83 with their swansong Synchronicity. This is an amazing piece, with Sting’s personal turmoil interspersed lyrically with the beautiful backdrop of Jamaica. It’s an absolute blast of mesmerizing synth rock that always captured my imagination.

Dio – Rainbow In The Dark

Ronnie James Dio was on his own after a dramatic exit from Black Sabbath. He wrote this song about his down feelings on leaving the band. It became an immortal metal anthem and one of Dio’s most heralded songs. He had a few more shots with Sabbath but he only needed one solo attempt to make this signature anthem count.

Iron Maiden – The Trooper

Maiden were on a roll by ’83 and they offered up one of their signature anthems on the Piece Of Mind album. The song is based on The Charge of the Light Brigade, an ill-fated British military maneuver in the 1800’s that saw a cavalry unit slaughtered based on bad military intelligence. But in the song Maiden capture the charge as the heroic last stand of ferocious soldiers fighting to the last. It quickly and easily became of of the top Maiden songs and has endured to this day toward the top of that list.

That does it for 1983. This is one hell of a slab of songs, tough to top this one. But the 1980’s abound with great music and I will press on to make it through.

Top Ten Albums of 2024

On By bigbadburchIn AOTY 20244 Comments

It’s the last day of 2024, so I guess I ought to post my album list for the year.

There is one important thing to keep in mind – I honestly did not have time to check out a whole ton of stuff. I was very busy this year with house hunting that got put off, a job that was going off the rails and an eventual job change, and all of the assorted stress and turmoil along with stuff like that. Things are moving forward but even now I’m still adjusting to a different job, way different hours and stuff like that.

It’s the unfortunate part of this site – I’m a hobby blogger, I’m not a music journalist of any sort so I don’t have near as much time as I would really need to investigate new releases. Week after week went by with albums of interest to me, some of them I got to hear once and others not at all. Given that I spent a good chunk of the year on this site in remembrance of 1984, keeping up with today’s music wasn’t nearly as much on my radar as I would have liked it to be. Add in to that the issue that more new music is released than ever before, and it’s just impossible to keep up.

But even if my evaluation of this year’s music is woefully incomplete, I can still offer up a top ten list. Even if 2024 albums weren’t’ the focal point of my year, there are still ten out there I can nail down to compose the pretty well mandatory year-end list.

Blaze – Circle Of Stone

In a year when every Iron Maiden singer released a solo album of some sort, it’s Blaze that came out on top for me. This album is a great follow-up to his excellent prior album War Within Me. This one brings a few touches of power metal along. Blaze has had a great solo career and this is another wonderful release in the series.

Chat Pile – Cool World

The Oklahoma outfit generated a lot of buzz on their 2022 full-length debut God’s Country. The follow-up also delivers a woeful brand of noise and doom, with just a touch of nu-metal thrown in. This one shapeshifts in places to keep it from sounding like a clone of their prior work and keeps the band on everyone’s radar, much to the chagrin of some. I’m here for it.

illuminati hotties – POWER

In 2021 I happened on this indie/punk/alt act on kind of a whim and the album Let Me Do One More nearly ran off with my album of the year award. Sarah Tudzin has done production and engineering work to everyone from Logic and Slowdive to boygenius, and her own project rivals those. This album is overall pretty chill and satisfying and I look forward to much more to come.

Rotting Christ – Pro Xristou

I did not check out a ton of extreme metal this year, which is a shame as I’m led to believe there was a ton worth a listen. But I will always make time for the veteran Greek outfit and their blend of atmospheric black metal. This is their 14th album and they sound just as great as they did when I first heard them in the early ’90’s.

Waxahatchee – Tiger’s Blood

Katie Crutchfield’s project got notice in 2020 with the critically praised Saint Cloud album and this is the long-awaited follow-up. It’s a fantastic blend of indie rock and country that was pleasing on first listen and then made itself at home with subsequent plays. It’s nice to see Waxahatchee continue to gain notice, including with a Grammy nomination for this record.

Transylvania – Windrider

Up next is something a bit different – this is the debut full-length from an act local to Springfield. We’ve been waiting awhile for this release as it was done sometime a few years ago in the midst of the pandemic and took some time to come to light. Transylvania have been one of the mainstays of the local scene here for years and it’s great to finally have this album in hand. While there’s no doubt the band bears comparisons to Iron Maiden, they have definitely made their own stamp on things here.

I will cover this album in more detail in the coming weeks.

Grand Magus – Sunraven

It’s never a bad year when Grand Magus release an album. This is another fine blend of doom and traditional heavy metal. I’ve been following Grand Magus since pretty much the beginning and it’s hard to believe we’re now over 20 years and 10 albums in.

Saxon – Hell, Fire and Damnation

Saxon showed up right at the start of the year with their 24th album and yet another excellent entry in their catalog, which has been on fire for a few decades now. There’s a bit extra behind this one that lifts it up another level. It didn’t hurt that I got to see them on tour this year in one of the very few shows I was able to attend.

I did previously review this album as an Album of the Week feature.

High On Fire – Cometh The Storm

The heavy as hell noise merchants took over five years off, with founder Matt Pike dealing with some health issues and releasing a solo album in that time. But the band returned better than ever with this slab of metal that combines their trademark Motorhead meets stoner metal vibe with Middle Eastern music influences. As usual, High On Fire transcend all category labels and delivered a quality offering once again.

Album of the Year 2024

Judas Priest – Invincible Shield

Priest arrived earlier in the year with their 19th album and they mopped the floor with everyone from the word go. The band have been in fine form on their past few releases despite line-up turmoil and advanced age. Everyone else had most of the year to top this and were unable to do so. It’s amazing just how great Priest sound in 2024 – it isn’t just that they sound “better than they should for their age,” it’s that they were once again able to conquer the heavy metal realm.

That does it for 2024, at least the stuff I was able to give spins to. I’m sure there’s more great stuff out there that I missed, but sadly that’s how time works, I don’t have near enough of it. Let’s see what 2025 has in store.