I am still running through the years on this very long series. And here we are at 1984. Funny that, given that I spent a great deal of time last year discussing the music of ’84 on its 40th anniversary. Had I kept to my original posting schedule I would have gotten to this last year, but I was both busy and lazy so here we are.
Given that 1984 is special in my lexicon, I’m going to do something a bit different here. I’m going to offer up five songs today, and then I’m going to do five more tomorrow. This was always the plan on ’84 when I got to it. In a way it’s “cheating” since I’m only supposed to pick five a year, but it’s not like there are any real rules to this anyway. It’s just something I saw other people doing and stole from them.
At any rate, let’s do five songs from 1984, then do it all again tomorrow.
Queensrÿche – Take Hold Of The Flame
This ripper still stands as one of the band’s most immortal offerings over 40 years later. This was one hell of a debut full-length for a band who got signed to a record deal without playing a show. It’s a motivational tale, one lamenting those who did not, in fact, take hold of the flame.
Judas Priest – The Sentinel
My favorite Priest song of all time was bound to make this list. It’s a badass tale of some dark avenging force that wipes out all his enemies. Very dank guitar work here leads to a massive, heavy atmosphere and Rob Halford singing “sworn to avenge” in his unholy voice puts it all over the top.
Iron Maiden – Rime Of The Ancient Mariner
My favorite Maiden song came out in ’84 but I’ve spent enough time going over 2 Minutes To Midnight. This time I chose the monster epic based on the hit poem of the same name. This was the band’s longest song for 37 years and every second of it is massive and pounding. A true heavy metal masterpiece.
Van Halen – Hot For Teacher
1984 was Van Halen’s triumphant year (and album). This song was one last blast of fun party rock before the classic Van Halen era came to an end. Alex played a monster drum intro and the song celebrates the ages-old concept of being into a teacher. Fun all around.
Mercyful Fate – Gypsy
It’s time for some evil, as King Diamond and company romp through a dark visit with a mystical woman. It’s a great, catchy riff and replete with the signature King Diamond vocals. This one is a bit “simpler” than other MF tunes but it works extremely well.
That does it for this first installment of 1984. Tomorrow I’ll bring five more songs on a rare weekend post as a bit of bonus content.
I obviously have not been on much lately. I am looking to return to more regular posting in the next few weeks.
We are now up to 1983 on this long-running series of picking five songs from a year. As is the case with all of the 1980’s posts, these are tough to nail down and this list should be taken as “five of my favorite songs from the year” as opposed to “my set in stone five favorites from the year.”
1983 is particularly challenging as there is a ton of stuff out there. In some respects it might have even been easier – I picked five songs in about that many seconds when I looked at the music released that year. I did a bit of looking around to make sure I was comfortable with my picks and I am, but wow there’s so much stuff that got released that year. Doing just five songs is like trying to fill an ocean by pissing in it, but five keeps things short and simple so I’ll stick with it. Let’s get into 1983.
Metallica – The Four Horsemen
Thrash was now on the scene and with it one of heavy metal’s most significant acts. This savage tale of the famed Four Horsemen of the Apocalypse from the Book of Revelations in the Holy Bible was right up my alley when I first played Metallica way back when. It’s a fun-filled romp through the end times, replete with horse galloping riffs and neck-snapping thrash aplenty.
Also – Dave Mustaine would very much like for you to know that he wrote this song originally, Metallica redid the lyrics and added some stuff after they shitcanned him from the band.
Mötley Crüe – Shout At The Devil
The Crüe were back with their second album and it would be both career- and genre-defining. The title track is an absolute ripper with its so simple yet effective sliding intro riff and lyrics about combating the influence of the Devil, though many in society would interpret the song differently. Still one of the greatest things ever recorded, hands down.
The Police – King Of Pain
The Police had a mega-hit album in ’83 with their swansong Synchronicity. This is an amazing piece, with Sting’s personal turmoil interspersed lyrically with the beautiful backdrop of Jamaica. It’s an absolute blast of mesmerizing synth rock that always captured my imagination.
Dio – Rainbow In The Dark
Ronnie James Dio was on his own after a dramatic exit from Black Sabbath. He wrote this song about his down feelings on leaving the band. It became an immortal metal anthem and one of Dio’s most heralded songs. He had a few more shots with Sabbath but he only needed one solo attempt to make this signature anthem count.
Iron Maiden – The Trooper
Maiden were on a roll by ’83 and they offered up one of their signature anthems on the Piece Of Mind album. The song is based on The Charge of the Light Brigade, an ill-fated British military maneuver in the 1800’s that saw a cavalry unit slaughtered based on bad military intelligence. But in the song Maiden capture the charge as the heroic last stand of ferocious soldiers fighting to the last. It quickly and easily became of of the top Maiden songs and has endured to this day toward the top of that list.
That does it for 1983. This is one hell of a slab of songs, tough to top this one. But the 1980’s abound with great music and I will press on to make it through.
It’s the last day of 2024, so I guess I ought to post my album list for the year.
There is one important thing to keep in mind – I honestly did not have time to check out a whole ton of stuff. I was very busy this year with house hunting that got put off, a job that was going off the rails and an eventual job change, and all of the assorted stress and turmoil along with stuff like that. Things are moving forward but even now I’m still adjusting to a different job, way different hours and stuff like that.
It’s the unfortunate part of this site – I’m a hobby blogger, I’m not a music journalist of any sort so I don’t have near as much time as I would really need to investigate new releases. Week after week went by with albums of interest to me, some of them I got to hear once and others not at all. Given that I spent a good chunk of the year on this site in remembrance of 1984, keeping up with today’s music wasn’t nearly as much on my radar as I would have liked it to be. Add in to that the issue that more new music is released than ever before, and it’s just impossible to keep up.
But even if my evaluation of this year’s music is woefully incomplete, I can still offer up a top ten list. Even if 2024 albums weren’t’ the focal point of my year, there are still ten out there I can nail down to compose the pretty well mandatory year-end list.
Blaze – Circle Of Stone
In a year when every Iron Maiden singer released a solo album of some sort, it’s Blaze that came out on top for me. This album is a great follow-up to his excellent prior album War Within Me. This one brings a few touches of power metal along. Blaze has had a great solo career and this is another wonderful release in the series.
Chat Pile – Cool World
The Oklahoma outfit generated a lot of buzz on their 2022 full-length debut God’s Country. The follow-up also delivers a woeful brand of noise and doom, with just a touch of nu-metal thrown in. This one shapeshifts in places to keep it from sounding like a clone of their prior work and keeps the band on everyone’s radar, much to the chagrin of some. I’m here for it.
illuminati hotties – POWER
In 2021 I happened on this indie/punk/alt act on kind of a whim and the album Let Me Do One More nearly ran off with my album of the year award. Sarah Tudzin has done production and engineering work to everyone from Logic and Slowdive to boygenius, and her own project rivals those. This album is overall pretty chill and satisfying and I look forward to much more to come.
Rotting Christ – Pro Xristou
I did not check out a ton of extreme metal this year, which is a shame as I’m led to believe there was a ton worth a listen. But I will always make time for the veteran Greek outfit and their blend of atmospheric black metal. This is their 14th album and they sound just as great as they did when I first heard them in the early ’90’s.
Waxahatchee – Tiger’s Blood
Katie Crutchfield’s project got notice in 2020 with the critically praised Saint Cloud album and this is the long-awaited follow-up. It’s a fantastic blend of indie rock and country that was pleasing on first listen and then made itself at home with subsequent plays. It’s nice to see Waxahatchee continue to gain notice, including with a Grammy nomination for this record.
Transylvania – Windrider
Up next is something a bit different – this is the debut full-length from an act local to Springfield. We’ve been waiting awhile for this release as it was done sometime a few years ago in the midst of the pandemic and took some time to come to light. Transylvania have been one of the mainstays of the local scene here for years and it’s great to finally have this album in hand. While there’s no doubt the band bears comparisons to Iron Maiden, they have definitely made their own stamp on things here.
I will cover this album in more detail in the coming weeks.
Grand Magus – Sunraven
It’s never a bad year when Grand Magus release an album. This is another fine blend of doom and traditional heavy metal. I’ve been following Grand Magus since pretty much the beginning and it’s hard to believe we’re now over 20 years and 10 albums in.
Saxon – Hell, Fire and Damnation
Saxon showed up right at the start of the year with their 24th album and yet another excellent entry in their catalog, which has been on fire for a few decades now. There’s a bit extra behind this one that lifts it up another level. It didn’t hurt that I got to see them on tour this year in one of the very few shows I was able to attend.
The heavy as hell noise merchants took over five years off, with founder Matt Pike dealing with some health issues and releasing a solo album in that time. But the band returned better than ever with this slab of metal that combines their trademark Motorhead meets stoner metal vibe with Middle Eastern music influences. As usual, High On Fire transcend all category labels and delivered a quality offering once again.
Album of the Year 2024
Judas Priest – Invincible Shield
Priest arrived earlier in the year with their 19th album and they mopped the floor with everyone from the word go. The band have been in fine form on their past few releases despite line-up turmoil and advanced age. Everyone else had most of the year to top this and were unable to do so. It’s amazing just how great Priest sound in 2024 – it isn’t just that they sound “better than they should for their age,” it’s that they were once again able to conquer the heavy metal realm.
That does it for 2024, at least the stuff I was able to give spins to. I’m sure there’s more great stuff out there that I missed, but sadly that’s how time works, I don’t have near enough of it. Let’s see what 2025 has in store.
As a quick note – next week I’ll have my top ten albums of 2024 list, as well as my write up of Prince’s Purple Rain to cap off my celebration of 1984.
But for today, it’s off to pick five songs from 1982. This one was kind of fun as there seemed to be a bit more variety, I wasn’t necessarily slammed by 10,000 heavy metal songs I love that I had to winnow down. Still plenty of great music but a pretty simple list here.
As always on these and especially for this decade – these are simply five of my favorite songs from the year, not a definitive list of my absolute five favorite songs. I ain’t got time for all that. Let’s have at it.
Iron Maiden – Hallowed Be Thy Name
Pickings are easy when your favorite band offers up what is widely considered the greatest song they ever recorded. This is a haunting tale of a condemned man who is in his final moments. Maiden were able to couple the dread of the story with their trademark harmonizing and rhythm and Bruce Dickinson delivers a performance for the ages. Things really don’t get much better than this heavy metal standard.
Judas Priest – Electric Eye
Choosing just one song from the seminal Screaming For Vengeance album is kind of tough but it’s pretty easy to go with this one. This is a heavy metal smorgasbord with all kinds of quiet and loud, mid-paced and fast stuff. It’s both heavy as hell and quite accessible. The dark theme of overbearing surveillance is on point, even more so now than 42 years ago. I can’t do anything about the hosed state of civilization but I can headbang along to its demise with this.
Michael Jackson – Thriller
This list is shooting fish in a barrel kind of easy. The title track of what is largely held as the best-selling album of all time is an absolute winner – a melodic romp through a zombie horror show. While the song itself is actually a fairly simple premise of picking up a girl by spooking her out with scary movies, the music video was an all-out zombie invasion that wowed audiences the world over. The song remains a Halloween staple to this day and of course Michael was the defining artist of the greatest decade in music.
Prince – 1999
But Michael did have a rival, he was not as alone atop the pop and rock mountain as some would like to believe. Prince would score his first widespread recognition with this apocalyptic hit. The thing to do when facing the end of the world is to party, which The Purple One summed up with a synth-funk track to boogie ’till the end to. It wound up being very fitting when 1999 actually came around, with the ultimately unfounded fears of Y2K. That was some weird shit to live through. But Prince provided the perfect soundtrack for it.
Scorpions – No One Like You
The Scorpions did rock as well as anyone ever. They also made their mark with a series of awesome ballads, but this song did not head into ballad territory – while proclaiming love, it’s a total rocker. It has been a live staple and one of the band’s signature songs since its release on their landmark Blackout album.
The song also holds significant personal meaning for me. I started dating a gal in 2009, still in the age of setting phone ringtones. I set this as her ringtone and it became our song. We were together for nearly 15 years and boyfriend and girlfriend before this past June when we did the deed and got married. And while she is not an ’80’s metal fan of any real sort, she has always appreciated this as our song. So it’s an easy add to close out this list.
That wraps up 1982, which will likely be the easiest by far of any of the ’80’s stuff to do. The next few are absolute hell, let me tell you.
This series, often delayed, is now up to 1981. Again, the ’80’s are a tough time to narrow things down to five songs, so take this list as “five of my favorite songs from the year” rather than being a definitive list of my five absolute favorites. Nothing much more to say, let’s get right after it.
Iron Maiden – Murders In The Rue Morgue
The final salvo from Maiden’s Paul Di’Anno era came with this pounding musical rendition of the classic Edgar Allan Poe story. It’s fast, noisy and a great cut from Di’Anno’s final bow. This song is a bit less celebrated than many other Maiden tracks but it’s always been my favorite slab from this record.
Van Halen – Unchained
This was an absolutely slamming track that became one of Van Halen’s signature songs. Eddie does all sorts of stuff with the guitar here – making noise, keeping rhythm and just going all out. And David Lee Roth is, well, DLR here in all his glory. In this case it totally enhances the song, as it usually did in the early Van Halen catalog. Easily one of my very favorite Van Halen tracks here, can’t go wrong with it.
Rush – Limelight
Funny thing here – Rush wrote a song about being uncomfortable with the increased attention they’d gotten around this time, so the song they wrote became a hit and one of their signature tracks. The song features Rush being quite accessible yet also still offering the mind-bending music they excelled at. This song in particular is the Alex Lifeson show, with one of his most memorable solos. Rush would commendably succeed and do so largely on their own terms.
Ozzy Osbourne – Over The Mountain
I’ll set aside the valid arguments about who didn’t get properly comped for their writing work on this and other Ozzy classics and simply focus on the amazing music. This is a massive triumph that was part of an unlikely second life for Ozzy, who came out swinging as the Prince of Darkness in the early ’80’s. The song is phenomenal in every way and especially with Randy Rhodes, this is one of his finest works in a brief yet crowded field. This would sadly be his swansong, but it’s a hell of a way to go out.
Black Sabbath – The Sign Of The Southern Cross
While Sabbath’s former singer was racking up his own accolades, Sabbath themselves were trucking along just fine with Ronnie James Dio. This crushing doom track sees Dio explore the darker side of religion. It was one more triumph for Black Sabbath before things came undone, but it was again one hell of a way to wrap up the first Dio stint.
That does it for ’81. More very awesome music next week as the hits keep coming in what has to be the greatest decade of human existence.
A young Jersey kid had a dream of making it big on the stage. Stop me if you’ve heard this one before.
Bon Jovi – self-titled
Released January 23, 1984 via Mercury Records
To sum up a long story in a few words – young Jon Bongiovi got his musical start in the ’70’s in a variety of bands. By 1980 he was looking to take the next step and record music. As luck would have it, Jon’s cousin Tony Bongiovi owned the Power Station studio in New York. Tony had worked extensively as producer and engineer on Motown recordings and was also the night engineer on the grueling Electric Ladyland sessions with Jimi Hendrix. Jon worked at the studio and also used it in off-time to work on his own demos.
The album was eventually assembled from a series of demos recorded with a variety of musicians. Jon did put together a band before tracking the actual record – he brought in his old friend David Rashbaum (later to go by David Bryan) on keyboards, Tico Torres on drums and Alec John Such on bass. The guitar spot was initially occupied by Dave Sabo, who wasn’t looking to be a full-time member of the band. He was replaced by Richie Sambora. Sabo would form Skid Row years later, a band Jon helped get going.
This band would comprise the group Bon Jovi for the next several years and through the band’s first wave of massive popularity. But they were not the only musicians involved on this recording. The song Runaway was recorded a few years prior with a different group of players. I won’t run down the whole history of the song because that would take forever, but one person involved was Hugh McDonald, who would eventually wind up as a full-fledged member of Bon Jovi.
But wait, there’s more – there were other people also in on the album recording beyond Runaway. Among those was Aldo Nova, noteworthy for his solo career and continued relationship with Jon Bon Jovi beyond the session work on this debut record.
With all that out of the way, the album was recorded at the Power Station with Tony Bongiovi and Lance Quinn producing. JBJ and various band members have the writing credits, with a few additional people here and there. One song in particular had a totally different writer, which we’ll get to.
The album clocks in with nine songs at a 38:33 runtime. Several deluxe reissues exist, including a 40th anniversary edition released earlier in the year. Bonus tracks abound on those releases and only most of them are different versions of Runaway.
Runaway
Up first is the song that had already been recorded with other musicians and made the rounds through radio stations and promo copies. It wound up as the lead single from the album and cracked the Top 40, the first of many for Bon Jovi.
It’s easy to hear why this one wound up getting some play – it’s a perfectly crafted rock song. The keyboard runs the song and all the other instruments join in to move this sleek vehicle forward. It’s all smooth, polished and on the rails and very few could hook up a song like this. Bon Jovi and this album are off to a kick ass start. Grade: S
Roulette
We get a fairly heavy track here on this one of many co-writes between JBJ and Sambora. Even with the riffing, Bon Jovi retains the very melodic frills that keep their stuff in the pop-rock realm. A pretty nice jam here. Grade: A-
She Don’t Know Me
This is, as I understand it, the only song in the Bon Jovi catalog that is totally attributed to an outside writer. As far as stuff that made an album, anyway. And it’s a bit of a story – the song was composed by Mark Avsec, who was writing for a disco group called LaFlavour. Disco was out, so the band changed their name and Avsec got to work crafting more rock-based stuff for them. Sadly, the band chose the name Fair Warning and the record label got rid of the band when Van Halen released an album of the same name. Bon Jovi was on the same label so they wound up with the song.
This one is a bit too saccharine for my tastes, but it’s not a horrible song or anything. I think it could use a bit more power behind it, but it’s not out of Bon Jovi’s wheelhouse either. Grade: C+
Shot Through The Heart
Here we have the song that gets confused with the band’s later hit You Give Love A Bad Name, as this song bears the first part of that song’s chorus. And while this song isn’t the mega-hit the later one would be, this is a quality rock track by any measure. Very nice tempo and melody here, it indicates that Bon Jovi was perhaps a bit further along in development than the early material gets credit for. Grade: B+
Love Lies
This song is absolute ’80’s here, with some higher register vocals that Bon Jovi didn’t do a ton of. It’s a pretty good song and something a hair outside the Bon Jovi lexicon. Grade: B
Breakout
The keyboard melody might pierce your eardrums in the open, but the song itself is a pretty basic mid-paced rocker. It does have a nice bit of force behind it to push it a bit over the edge. Grade: B-
Burning For Love
Here the keyboard offers up a rhythm that sounds like it came from an old racing video game, though the game would have come long after the song. A fairly heavy guitar riff through this recount of being taken by desire. Nothing leaps out here but still a quality composition. Grade: B
Come Back
This runs right on the rails with a pretty nice tempo and riff. It’s doesn’t venture out of its box but it’s a pretty nice box so the cat will keep playing in it. Grade: B
Get Ready
The closer gets aggressive in a way Bon Jovi wouldn’t do a ton of, though there is a fair bit of melody and boogie thrown in to keep things a bit lighter. The song is all about a gal getting ready for JBJ to take her on a night on the town, but it could just as easily be interpreted as “get ready, this band is on the way.” They most certainly were. Grade: B
For first albums, bands could do a whole lot worse than Bon Jovi. The album hit the Billboard charts at 43 and offered up a handful of decently performing singles, with Runaway being the signature track. This record would earn two US platinum certifications and several international gold records, though in fairness a lot of that may have piled up after the band hit superstardom a few years later.
The album offers up a nice collection of songs, very strong for a debut. While it’s very “on the rails” and perhaps pales in some form to the stuff to come from Bon Jovi, it’s overall a nice listening experience with one song to rule them all and a strong collection of stuff to back that.
Album Grade: B+
Bon Jovi is an album that even Bon Jovi themselves have left behind, but this debut is worth more than dismissal in the wake of music that would follow it. This is a quality offering that showcases more of what would make Bon Jovi than perhaps JBJ would like to admit. And while this album was not a world-conquering beast like the two that would come in the later ’80’s, this one is certainly a worthy entry on the list of 1984 music.
This little series that I’ve half-assed for the past while is now in to 1980. The 1980’s were the most significant decade in my musical development so this whole decade is gonna be loaded with songs I love.
And, as this series has gone, I will only pick five per year. It is more important than ever to remember that this is simply a list of five songs I like a lot from a particular year, this not a definitive list of my five favorite songs from any given year. There are so many awesome songs left off these ’80’s lists that it’s honestly impossible to mess with much – I just go with the vibe and choose five I really like. This stuff does get a hell of a lot easier once I get to the late ’90’s and especially the 2000’s.
But we are in it to win it here, so let’s kick off this look at the best decade the world has ever seen.
Judas Priest – Living After Midnight
In 1980 Priest would finally gain a foothold in the US with their landmark British Steel album, featuring this cut among others. The song is a bit more simple and fun than other things which was a point of debate, but it’s a glorious party anthem and there’s nothing wrong with that.
Iron Maiden – Iron Maiden
And now we’re on to the debut from my favorite band of all time. Pretty easy auto-include here with their self-named song from their self-titled album. This one is also fun, though much more murdery than the Priest track. Maiden have played this song live more than any other and by quite a margin. While they have a handful of signature songs, it’s pretty clear that this one is the real calling card.
Van Halen – And The Cradle Will Rock
Shocking stuff here, as the band who defined party rock offer up another party anthem. It’s also a rather simple offering, though Eddie makes quite a bit of noise as he often did. Rock on, indeed.
The Police – Don’t Stand So Close To Me
This one was huge business for Sting and company, a dark tale of a teacher wrapped up in lust for a student all set to the signature reggae-rock catchiness The Police had refined by this point. It’s moody and haunting at its core but a very infectious song on the surface, something the band would nail down again in a few years time.
Black Sabbath – Heaven And Hell
Sabbath had a bit of drug-fueled turmoil that saw the exit of singer Ozzy Osbourne. The band were able to regroup with Ronnie James Dio and offer up this massive slab of heavy metal. It features a grand battle between good and evil within a person, something that would be a calling card of Dio’s career. Although Sabbath wouldn’t enjoy the full fruits of the decade of metal, they were off to a very hot start.
And that wraps this one up, five songs of about five thousand great ones from the first year of the ’80’s. The tough sledding continues in the weeks after.
It’s time for 1979, though we’ll find no Billy Corgan here, only songs actually from the year. I turned two in ’79 so I obviously have deep and specific memories of all these songs. Next week the 1980’s will kick off and these lists will be batshit for awhile, no two ways about it. But this one was pretty simple to put together so let’s enjoy this pretty easy week.
Tom Petty and the Heartbreakers – Refugee
1979 saw Petty and his band break through to true mainstream success, and it’s no wonder with songs like this. This a powerful groove with the organ and guitar working together to blast this freedom anthem into your head. I’ve heard the song all my life and it still gets me going any time it’s on.
The Police – Walking On The Moon
The Police obviously incorporated reggae into their sound, but on this one they just totally went reggae. Very atmospheric stuff here with the guitars accenting things at certain points, but the song as a whole moving on its gravity free march in trippy rhythm.
AC/DC – Highway To Hell
AC/DC have a trove of awesome songs and many were from the Bon Scott era, but I feel like this one really puts it all over the top. This is a seamless blend of great riffing and on-theme delivery that stands as one of rock’s truly great songs. It would also sadly be the bookend of Bon Scott’s time with the band, though the group dusted themselves off and kept on in world-conquering fashion after his death. No matter how much rock radio plays AC/DC, this is one song I never get tired of hearing.
Neil Young and Crazy Horse – Powderfinger
Rust Never Sleeps is my favorite Neil Young album and this is my favorite song from that album so here we are, pretty simple pick. Tough tale of a young man who shot at a gunboat to defend his family’s property. The gunboat won the battle, if you are keeping score. It’s an anti-war song for sure but one that offers its message in a poignant story rather than being super obvious about it. Grand work from Neil and company.
Judas Priest – Exciter
Heavy metal was about to blow up big in its golden age during the 1980’s. It was Judas Priest who flew the flag for the genre during its relative down period of the late ’70’s, and here they continued to round into form as their own fortunes would explode in just a year’s time. Here Priest laid the groundwork for the entity known as speed metal, lending not only a musical blueprint but also a band name to one of the subgenre’s pioneering acts.
That wraps it up for 1979 and also for the decade of the ’70’s. Great music to be sure, some of the best, but things really get going in the next decade. The absolute explosion of music and the toughest series of picks I’ve had to make kick off next week.
Now I’m up to 1978 on my songs by year lists. I turned one that year so I don’t exactly have memories associated with the time, but these songs were pretty easy for me to pick and are timeless ones I’ll always enjoy.
Times were really changing this year I think – three very significant new acts showed up in ’78 that are on this list and would be central to the sounds to come, which was what shaped my musical fandom in my early years. Let’s head in and see what’s up.
Van Halen – Runnin’ With The Devil
Up first is a great cut from the debut album of one of rock music’s most important bands. Van Halen were central in what would happen in the 1980’s and their ’78 debut was red hot. The way Eddie Van Halen played his guitar here, it was almost talking alongside David Lee Roth’s vocals and insane ranting. It’s an ode to living hard and running free, and a massive song.
Heart – Straight On
Another hard rocker from Heart here, as they’d wrap up their first era before transitioning into the next decade. This one has some dance/disco elements to it but still shines through as a Heart classic. It’s an auto-include on any Heart greatest hits or setlist for sure.
Judas Priest – Delivering The Goods
Priest would get in two albums in ’78, and by this time they were truly rounding the corner as heavy metal’s premier act. They would be in prime shape for the total explosion of metal soon to come. Here Priest show their muscle with a song that was composed about how they feel on stage. This was a great way to truly launch the new era of metal.
The Police – Can’t Stand Losing You
Up next is band new to the scene and one that would light the world on fire for the next several years. This chippy, upbeat music stands in contrast to the dismal lyrics about someone ready to off himself over losing his gal pal. The Police were a rock/reggae/punk/new wave machine that would dance across the ears of millions in their time, and all of us who heard them were lucky to have done so.
The Cars – You’re All I’ve Got Tonight
Speaking of new wave, it turns out it blended nicely with hard rock, and The Cars put that into full effect on their debut album. Pretty heavy, very melodic and insanely catchy, this song wasn’t released as a single but wound up all over radio as The Cars became a popular act. Super fun song to bop to.
1978 is now done and dusted. Just one more post to go from the decade before this turns to the 1980’s and things just go totally insane.
Note – I am back at it now after my “new job” break. As of now I’m good as far as time to post goes, that might change as things go along but I should have enough time to keep up with the site. My post schedule might be irregular but at least for this week it is set.
1984 saw the debut of an act that would go on to reap success through the rest of the decade, remain a constant through the turbulent rock era of the 1990’s, then suffer great tragedy in the early 2000’s. But their start would be plagued by roadblocks.
Great White – self-titled
Released in 1984 via EMI America
Great White had been around for several years, having formed in 1977, just ahead of the newly-emerging rock scene in Los Angeles. Even their early years were rife with turbulence, but by 1983 the band had released a debut EP and secured a recording contract with EMI. The band worked with producer Michael Wagener, who already had his hands all over 1984 with works by Dokken and Accept.
Great White had already undergone a score of line-up and name changes by their debut full-length. Mark Kendall was, and is, the band’s lone constant member at guitar. He was joined by Jack Russell on vocals, Lorne Black on bass and Gary Holland on drums. Only Kendall remains with the band today, and only he and Holland remain alive as of late 2024.
The album features 10 songs at 38:22. Three of the songs are re-recorded versions from the Out Of The Night EP a year prior. Along with the band members having writing credits, manager Alan Niven, producer Wagener and Wagener’s great pal Don Dokken all have various writing credits as well.
This album was reissued in 1999 with bonus tracks and under the name Stick It. The bonus songs are a series of covers.
Out Of The Night
Up first is the title track of the previously released EP. This song jumps out and goes for the throat, it’s a steady and very hard rock track. This metal attack is well worth the listen, Great White came out of the gate sharp here. Grade: A
Stick It
This one comes in at a bit of a slower pace than the opener but remains quite heavy and pounding. It is a relatively basic song, though Kendall gets up to some nice guitar work as the song heads into the close. This song sounds exactly like a 1984 metal song and it’s a wonder that it never got any traction, this fit the scene like a glove. Despite that, this is the song with far and away the most traction on this largely forgotten album. Grade: A-
Substitute
And now we have a cover of the classic track from The Who. Great White perform the song well and make the sound fit to what they’re doing on the album. It’s one of a million covers of the song but it fits with what’s going on here so it comes out as worthwhile. Grade: B
Bad Boys
Time now for the standard ’80’s metal “badass” song. Great White do a good job of it here, this one is again pounding and intense. I don’t have any real criticism of the song or anything that came before it, but in terms of an album experience things are a bit samey. It’s similar, pounding rhythms throughout and it is noticeable. But on their own the songs do hold up. Grade: B+
On Your Knees
This is another song re-recorded from the EP and also the track that Don Dokken contributed to. This one is much alike the prior songs, though there are some more guitar flourishes and Jack Russell goes pretty sinister with his vocals. It’s again simple yet very effective. Grade: B+
Streetkiller
Here things switch up a hair, this one distinguishes itself from other songs with an extra bit of flair. This dark tale of a killer on the prowl has a nice snarl to it and is easy to headbang to. Grade: A
No Better Than Hell
One could wonder here if Great White picked up a bit of Judas Priest through osmosis or something. This song pounds pretty deep, even with a small section of drums that doesn’t entirely come off but overall does add some grim atmosphere to the proceedings. This song might give a moment’s pause to people more familiar with Great White through their signature works. Grade: B
Hold On
This one has the makings of a ballad but isn’t quite there, it’s still pretty heavy and retains the more gritty themes of the album as a whole. It isn’t the album’s most interesting song but it’s a step above filler material. Grade: B-
Nightmares
This one is another standard headbanger on par with the first half of the record. The album is keeping up its momentum throughout, again perhaps too similar in song style but delivering enough to overlook that. Grade: B
Dead End
The album closer injects some speed into this affair. It’s the third song brought over from the EP. It’s a pretty shit hot way to close things out – this one runs full steam ahead and gets the blood flowing. Grade: A
Great White was a nicely constructed debut for a band who’d been grinding away in some form or another for several years already. While the album fit the sound and feel of what was going on in 1984, sadly very few people took notice. The album charted at 144 on the Billboard 200 and quickly faded away. This led EMI to drop Great White, who would retool and come back with a more melodic, blues-based sound that got the band their traction through the 1980’s.
While the story of Great White comes with many twists and turns as well as tragedy, it is a shame this album did not catch on. It might perhaps lack the fully dynamics of the W.A.S.P. debut or the absolute red hot delivery of Out Of The Cellar or Tooth And Nail, but this record absolutely belongs in the pantheon of 1984 rock albums. The band rebounded nicely out of this commercial failure, but it’s a true shame that this one got overlooked.
This one is pretty easy to grade. The album maintains a nice flow and offers up many quality tracks. It’s a step below those albums we consider the greatest of the year, but it’s still a very quality offering that is well worth checking out.
Album Grade: B+
Not everything works like it should in the music industry, and it’s unfortunate that Great White were not able to gain a foothold with their debut. This one shines far above its status as an idle curiosity and should absolutely be in the discussion of the great albums of 1984.
The Crooked Wanderer 