Ace Frehley died yesterday at 74 years old. He was famous most obviously for his two stints in Kiss, being a part of their legendary ascent in the 1970’s as well as the mega-hyped reunion tour of the late 1990’s. Ace also had a prolific solo career in his times away from Kiss.
Ace was a guitar hero to generations of fans as well as many rock and metal musicians. He was a primary influence on a lot of the music I listen to, even some of the heaviest metal guitarists celebrate Ace as the reason they wanted to pick up guitars.
I don’t have much more to say for now. Oddly and sadly enough, this post is pre-empting another tribute post to a recently-deceased musician. But it’s impossible not to note the passing of a rock legend. Rest in peace, Spaceman, and enjoy your travels in the great beyond.
Here is the latest in my songs series, on an unusual day. After the post I’ll have an update on this site over the next few weeks.
And now on this 50 year long musical journey we arrive at 1977. Seems like it was an interesting time in the world, a lot of weird world events and all that. It was a bit of a banner year in entertainment, as the first Star Wars movie hit theaters.
It was a mournful time in music. For one, I’m not sure this was the greatest year in music history. Kind of a whatever vibe with a lot of this stuff. I vaguely recall the 1977 Behind The Music and everyone was just like “fuck that year.” And the King himself Elvis Presley died on a hot August night.
And just three days after Elvis left the building, I was spat into existence. So no more “I wasn’t around for this year” on these posts. I was, in fact, around – though I can’t cop to having any memory of the year, obviously. I think I have one very small, vague memory from ’79 but that’s all I recall of the decade, I was busy filling diapers and crying.
But even if the year was kind of lame, I had no problem selecting five songs from it. Good music is always around.
Fleetwood Mac – Don’t Stop
This single from one of the biggest albums of all time was one of my earliest musical memories. My mom had a carrying spindle thing that held a bunch of jukebox 45’s and this was one of the singles in that set. I used to play through those 45’s a lot, and I whittled it down to the ones I really liked, this being among those. Honestly a somewhat heavy song, by Fleetwood Mac standards anyway, and a great duet between Lindsey Buckingham and Christine McVie.
Judas Priest – Dissident Aggressor
A cut from the band’s third album Sin After Sin and another testament to Priest being the glue that held heavy metal together just before metal kicked off big time. This saw Priest really up the ante with the heaviness and include some real divebombing guitars. The song was a thought piece on the city of Berlin, at the time caught in a Cold War split that was stark and honestly insane.
Heart – Barracuda
This was another of the 45’s in my mom’s tote and this would be the one I’d play over and over and over and over again. This was an aggressive song and with good reason – it was written by Ann and Nancy Wilson after the press grossly speculated on them being involved with each other despite being sisters. And that main riff of Nancy’s offers a very short and straight line to the heavy metal I would get into several years later. Definitely one of my favorite songs of all time.
Rush – Closer To The Heart
This is an all-time Rush song for sure. Well written and arranged, it brings out a sentimental flair while still sounding totally Rush. The song really opened up the world to Rush in terms of radio play, landing them a top 40 UK hit and also getting their foot in the door in the US. Always a good time to hear this one.
Kiss – Love Gun
This last slot was a tough choice – it was between this and Aerosmith’s Kings And Queens. The latter is an awesome song but Love Gun won out in the end. The album was one of my first Kiss albums and also one of my earlier music memories overall, so it’s easy to pick this signature Kiss song. It’s easy to hear why it’s one of Paul Stanley’s favorite songs.
That does it for ’77. Inching closer to the 1980’s, where this whole thing gets insane as far as picking only five songs per year.
And with that, here is a brief update – I am starting my new job next week and I’ve had a hell of a time lately with leaving my old job and getting stuff together for the new one. I am going on a two-week hiatus from this blog in order to get adjusted to my new work. I will be working a lot of hours but I think after I get into the new rhythm I should be able to get back into the swing here. I don’t know what my post frequency will be but I should be able to figure something out. See you all then.
After a few weeks layoff due to super busy stuff, I’m getting back to this thing again. I’m also working well ahead on these now so the series won’t be interrupted again. It’s not like it takes any massive amount of time to put these posts together.
We’re now to 1976, which is the last time you’ll see me say I wasn’t around for the year. This is also where things start getting tough – this was probably the most difficult five songs I had to pick of all I’ve been through so far. Yes, the 1980’s get insanely crowded but it’s so absurd by that point that it’s actually easier to just grab five songs. This year I had to bump things left and right, and really go over the five I wanted. But I did eventually get a list together so let’s have at it.
The Runaways – Cherry Bomb
Up first is this fantastic cut from the revolutionary all-woman group. It was the start of the illustrious careers of Joan Jett and Lita Ford, but even beyond that it was a massive dose of grit and attitude. And it was seriously heavy – heavier music was about to really take off and The Runaways were definitely a part of that.
Judas Priest – The Ripper
Speaking of heavy, it’s time to welcome Judas Priest to these lists. If you’re thinking this is just the first of many appearances, you’d be right. Heavy metal was kind of in a down period as Black Sabbath were fading during this time, but Priest served as the bridge between Sabbath and the metal golden era of the ’80’s. Here they cut into the gruesome tale of Jack The Ripper, perhaps the most notorious criminal in history. The guitar work that truly set heavy metal apart is center stage here, and while Rob Halford is fairly restrained through most of the song, he lets loose at the end.
Boston – Foreplay/Long Time
Up next is a cut from the world famous Boston debut. This has one of the best instrumental sections around in the Foreplay intro. Then the song breaks into Long Time, a fantastic rocker about having to move on. The lyrics are philosophically heavy, but it’s just as easy to totally rock out to the music too. And in defiance of the “shorter is better” pop song format, this nearly 8 minute long cut still gets airplay 48 years on.
Kiss – God Of Thunder
Kiss had a banner year in 1976, releasing two of their best albums and truly becoming a force in the live market. But for all of their triumphs that year, it’s this plodding heavy metal track that Paul Stanley brought to the table that does it for me. Bob Ezrin slowed the song down and gave it to Gene Simmons to sing, and this is easily one of Gene’s biggest moments on record. Even the most die-hard of extreme metalheads get down to this song.
AC/DC – Dirty Deeds Done Dirt Cheap
Wrapping up with another list debut, AC/DC crack this one with one of their early signature songs. This snarling, tough tale of a killer for hire is both rocking and pretty funny. It’s easily one of the band’s most recognizable songs today, though it took years for it to get from Australia to the US. But the gritty rock and sing-along chorus are just too good to be passed up.
That does it for 1976. The next few weeks will close out the ’70’s as music really started changing dramatically, then the ’80’s come around and make these lists damn near impossible to do. ‘Till then.
I press on with my look at songs from a particular year, this time we’ve hit 50 years ago exactly as it’s time to look at 1974. And this year offered up something a bit different – I’ve previously been able to easily reference Black Sabbath and Led Zeppelin albums for songs I absolutely love, but both bands did not offer up any recorded material in ’74. Not to be deterred, it was honestly pretty easy to locate five songs I like a lot from the year.
We do see a few debuts from acts now legendary, and in the next several years things really get different with all the debuts. And also these lists get really hard to compile, to this point I haven’t had to “bump” a song from a list due to finding another I like better, but that is coming very soon. And we’re just a few years removed from where I was actually around.
But that’s all for later – for today, let’s enjoy a few choice cuts from 1974.
Kiss – Strutter
Here we have the first track from the first album from the group that would take over the world with their stage shows and theatrics. But out of the gate we get a fairly simple yet quite ass kicking rock track. Even up against the music of the time, there was something a bit different in what Kiss had on offer. And just listen to Paul Stanley’s voice from 50 years back, damn that dude could carry a tune.
Rush – Working Man
The debut surge continues with Canada’s greatest export. Rush were still not in their final form here as Neil Peart had not yet joined the band, but this first album did feature this choice cut that helped the band get their break when it got played on FM radio. This isn’t the crazy, prog-driven music of Rush to come, but it’s a nice and loud ode to the existence of the rank and file worker, which I can totally identify with in my late 40’s with shit prospects of upward mobility. But hey, great song.
UFO – Doctor Doctor
This next one came to me from less conventional means, as to this day I’m woefully uneducated on the music of UFO. But this early contribution from new and then young guitarist Michael Schenker slowly became a fan favorite after years of live performances. It starts with an epic intro but the song itself is a pretty lean and mean rock track.
What led me to this song was its use as intro music – since 2000, Iron Maiden have played this song over the PA just before taking stage. Maiden also did cover the song during the Blaze Bayley years just prior. But that’s how I came to know this song and I should get off my ass and get into more UFO.
Dolly Parton – Jolene
This time there’s no debut as Dolly had already been around. I’m also playing with the timeline a bit since this song was released in ’73 as a single, but the album of the same name was released in early ’74 so I’m running with that. It’s like the Marvel Cinematic Universe in here, I just play with time to suit my needs at any given moment.
Jolene is one of country music’s all time songs, as Dolly laments that the title character seems to be making moves on Dolly’s man. Nothing is entirely clear – Dolly thinks Jolene is on the prowl, but it’s never said if that’s really the case. But Dolly’s insistence that Jolene keep away is one of country’s crown jewels.
Queen – Stone Cold Crazy
If you had “Queen would invent thrash metal” on your 1974 bingo card, well I guess you cashed in. This short hyperblast of frantic rock featured everything that would come along in the early ’80’s – ripping guitars, pounding drums and rapid fire vocals. I didn’t hear it at the time of course, but even going back to music from before I was around, this one really sticks out as something out of the ordinary. I bet it was crazy to hear when it was released.
That does it for 1974. I guess that means there are either 49 or 50 more of these to do, I don’t know because I don’t have enough fingers to count it all. See you next week.
It’s time again to jump back 40 years to 1984 and revisit some of the great music from that great year. I’ve been running this site for well over 2 years now and, until today, I haven’t talked about a Kiss album yet. Well, Kiss released an album in 1984 so I guess now is as good a time as any.
Kiss – Animalize
Released September 17, 1984 via Mercury Records
By 1984, Kiss were re-stabilizing after a few ill-received albums and massive line-up turbulence. The band had not landed with Unmasked and The Elder, though Creatures Of The Night and Lick It Up did restore some shine to the Kiss diamond. But just as the music was turning back around, the line-up blew apart and in spectacular fashion.
By the time of Animalize, Kiss were comprised of Paul Stanley on vocals and guitar, Gene Simmons on bass, Eric Carr as drummer and new to the band Mark St. John on lead guitar. St. John would be the band’s third guitarist in two years and the spot would turn over again by the end of 1984.
It would also be fair to present the Kiss line-up as follows for this album – Paul Stanley and Eric Carr. Gene Simmons was laser focused on making an acting career and was barely present for these recording sessions. Jean Beauvoir helped out some on bass and Stanley played the opening track. Desmond Child joined in to help write a few songs, including one of Kiss’s most enduring ’80’s hits, as well as provide backing vocals. And Mitch Weismann also joined on to help write and play guitar.
Long story short, Mark St. John did not mesh with his new bandmates and was a problem during album recording. Bruce Kulick came in to help finish guitars for two songs. Kulick also filled in for St. John when the latter cited medical issues for being unable to tour behind this album. St. John would play all of 2.5 shows with Kiss before being replaced permanently by Kulick.
Paul Stanley was able to fashion a competent and well-received record out of all the mess he had to work with, including serving as the album’s producer in addition to band leader, fill-in guitarist and bassist and composer and arranger. Easy to see why he was getting stressed out while Gene was off becoming an actor and the lead guitar slot was a revolving door.
One part that Stanley was unable to salvage was that of the album cover. The cover is credited to an advertising agency as opposed to an artist. I won’t say it’s awful but it’s also not very good – there are about a million and one other ideas that would have worked better.
Will all that background out of the way, we have an album with 9 songs and a very lean 35:42 runtime. This one has had a few remasters and re-issues but I am not aware of any bonus tracks floating around, I don’t think this album got the super deluxe treatment that other Kiss albums have.
I’ve Had Enough (Into The Fire)
The opener is a shit-hot rock track that gets the ol’ adrenaline flowing from the word go. It’s a prime, uptempo blast of rock with a message of making it against all odds, that ever-present theme of ’80’s music. This one was co-penned by Stanley and Child and is a fantastic way to kick things off. Grade: A
Heaven’s On Fire
Up next is the album’s lead single. The fire theme keeps going as here Paul is getting ready for a hook-up so hot that Heaven itself will burn. It’s another song that Desmond Child helped out on and it is impossibly catchy. The chorus is infectious enough to be classified as a disease. It’s no shock that the acronym for writing good songs is K-I-S-S for Keep It Simple, Stupid; and that is in full effect here.
Heaven’s On Fire charted modestly across several countries but did become a staple of the Kiss live set, it is one of the band’s most enduring ’80’s songs. Grade: A+
Burn Bitch Burn
One of a few Gene Simmons contributions here and thankfully he kept up the burning theme despite barely being around for the recording. Here Gene is apparently paying homage to the exchange of bodily fluids and the nasty germs that can come from such exchanges. The song is pretty good overall, very suitably heavy and all, though I could have done without the “whoo whoo whoo” in the chorus. But it’s not a major detraction and I do like this one overall. Grade: B
Get All You Can Take
This song is the result of a Stanley- Weissman tag team and is another just splendid rocking track. There are guitars everywhere and Paul really shows off his once-impressive vocal register here. It’s another one of those “go out and get it no matter what” songs, great for pumping iron or sitting back 40 years later and realizing you did no going out and getting it at all. Grade: A-
Lonely Is The Hunter
Another Gene track here, it’s a mid-paced offering that has a nice shape to it but doesn’t stray anywhere beyond its main, plodding riff. The song isn’t bad but it doesn’t leap out and grab attention in the way the other songs so far have. Grade: C+
Under The Gun
And now it’s on to a Stanley-Carr-Child offering that does absolutely come out scorching. This one is a guitar showcase and a balls-out rocker from front to back. There was no letting up on the second side of this album. Grade: A
Thrills In The Night
This was the album’s other single and it marries the heavy metal feel going on with the venerable Kiss sense of melody. A very nicely done song that sees a woman who is an office stiff during the day a but a total freak out on the prowl at night. Grade: B+
While The City Sleeps
Both of the final tracks were written by Simmons and Weissman. This one is a good, uptempo mover and shaker that’s again about finding stuff out in the night. It does a good job of keeping the album’s momentum going into the close. Grade: B
Murder In High Heels
The closer has a nice, playful riff and a typical premise about a hot woman out to take on the world. The song doesn’t necessarily go much of anywhere but is decently put together. Grade: C
Animalize was a success for Kiss, continuing their rebound from the turn of the decade. The album hit 19 on the Billboard chart and had several top 10 placements internationally. It was the first Kiss album since Dynasty to be certified platinum (Lick It Up would hit that mark later).
It was a great turnaround for Kiss, who wandered into the wilderness a bit at the start of the ’80’s but by this time had found solid footing and made themselves right at home in the new rock and metal scene. Even with all the band turmoil and this record almost being a Paul Stanley solo effort, Kiss were able to re-integrate themselves into a 1980’s rock scene that they helped influence with their early career.
Album Grade: B+
Animalize was a nice offering and exactly the shot in the arm Kiss needed. There are no real duds here, even the secondary songs offer worthwhile listening. And there are several highlights among the hard rock on full display here. The rest of the decade would be a topsy-turvy one for Kiss, but here they had put together the third in a string of solid albums that kept them from being a memory of the 1970’s.
For an explanation of the grading scale, head here.
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The Crooked Wanderer 