When The Line Up Changes – Metallica (Part One)

Today and tomorrow I’m going to look at the major line-up changes in Metallica. The band have had a few over the years and they are some of the most-talked about personnel changes in music.

For the first part I’ll go into the two early era changes that would shape the band’s first run. One saw the addition of the “heart and soul” of the group, while the other change is one of the most discussed band member exits in music history.

Ron McGovney quits, replaced by Cliff Burton

When Metallica originally formed, James Hetfield brought with him Ron McGovney, a bandmate in prior outfits. The band used McGovney’s parents’ house to rehearse in during the early days, and Ron played bass on several demos.

There were apparent tensions between McGovney and the rest of the band, and Ron quit in late 1982. McGovney was not especially active in music after departing Metallica, but has joined the band at anniversary celebrations in the years since.

The titanic shift in Metallica came when McGovney was replaced – James and Lars watched the band Trauma performing at the famed Whiskey A Go Go. They discovered that the crazy sounds came from the band’s bassist, Cliff Burton. Burton was approached about joining Metallica and agreed, as long as the band relocated from Los Angeles to the Bay Area. The move was made and history would follow.

Burton would be a massive addition to the band. He played his bass much like a guitar, employing effects pedals and playing riffs seemingly more suited to six strings. His unique sound became a hallmark of the band’s early recordings and landed him solo spots on albums. Burton was also a huge contributor to the songwriting process, responsible for many of the band’s landmark songs in the first era.

While Cliff Burton’s time would be cut short through tragedy in 1986, he bears great responsibility for Metallica becoming a worldwide phenomenon. His entry into Metallica in 1982 is the catalyst for the band becoming what they were. There isn’t a Metallica as we know them without Cliff Burton.

Tomorrow I’ll talk about Cliff’s death and the shockwaves from that. But for now, it’s time to write about that which has already had trillions of words spilled about it. A few line-up changes in history have been titanic and are discussed widely even to this day, but this one might take the cake as far as how often it’s brought up, both by fans and by the aggrieved party.

Dave Mustaine is fired, replaced by Kirk Hammett

The story is well-known – Dave was in the early version of Metallica. The band were drunken hellraisers as a rule, but Dave took it to a line beyond that. Though specific stories are thrown around and disputed, Dave was eventually booted from the group just as they prepared to record their debut album. Mustaine was given a cross-country bus ticket back to Los Angeles from New York and he would form Megadeth. With a giant chip on his shoulder, Mustaine blazed his own trail in the thrash realm and remains the head of the Megadeth table today (a Megadeth line-up change post would be novel length and may or may not materialize someday).

To replace Mustaine, Metallica called across the country and asked Exodus guitarist Kirk Hammett to join. Hammett flew out directly to New York and was given the Metallica job in quick order. Hammett remains Metallica’s lead guitar player to this day.

It’s kind of funny how much there can be to talk about regarding this line-up change, and almost none of it revolves around Kirk Hammett. Kirk seems to be a pretty reserved, quiet guy who doesn’t stir the pot much. Kirk left Exodus, the band he had formed, for Metallica.

Exodus already had a reputation in the Bay Area scene, much of it for their violent live shows. Kirk’s departure left Gary Holt to be the main creative force in Exodus, a path that has served the band well in the decades since. Hammett has appeared live and in studio on occasion with Exodus in the years since.

But, as most already likely know, this line-up change isn’t really about Kirk Hammett. No, it’s about Dave Mustaine. Dave has given countless interviews over the years expressing his displeasure at being bounced from Metallica. While Mustaine is credited for songwriting contributions on the first two Metallica albums, he has in the past claimed to have written far more than he was credited on.

Mustaine also attacked Hammett in the past, accusing Kirk of simply ripping Mustaine off. Mustaine was a vocal thorn in the side of Metallica for many years, though the members of Metallica didn’t often take the bait and discuss Mustaine in any great detail.

It was clear that Mustaine was bitter about Metallica – most likely envious of their huge success, even as he found his own way with Megadeth. I hate to speculate about a person’s thoughts and motivations, but it’s pretty clear there was something to that with Mustaine and Metallica.

Over the years stances would soften, and Mustaine wound up jamming a bit with his old bandmates and his replacement during the Big Four shows. The feud entered an era of relative peace, even though Mustaine can still be counted on to say something occasionally.

A lot is made of Mustaine’s contributions to early Metallica, and this sometimes gets heated fan discussion going over what the band would have sounded like had he stayed, or if he really did provide more early material than he’s credited for, what have you. Various scenarios are argued over and over again, to no real effect but to take up bandwidth on the Internet. No one really “knows” what happened since none of us were there, and it’s so long ago now that it really isn’t important. But people have to have stuff to talk trash on, I guess.

It was just one line-up change for a band in their early years, just before recording their first record. But the saga of Dave Mustaine being tossed from Metallica lives on 40 years later, and will probably remain in the metal consciousness for so long as people have access to the Internet (and Mustaine is around to offer his occasional thoughts).

That wraps up the first part of Metallica’s line-up changes. I’ll be back tomorrow with the death of Cliff Burton and also the departure of the guy who replaced him.

Megadeth – Night Stalkers

I had to switch post order up a bit, the reason why will be clear in a few weeks. This was originally supposed to be about Woodstock ’99, but with a new additional documentary about to hit streaming, I decided to put off my post about the existing one. Instead I’ll talk some about a new song from one of the bands that closed down the ill-fated festival.

Today I want to go over the new Megadeth song a little bit. Night Stalkers is the second single released from the upcoming album The Sick, The Dying And The Dead!, out September 2nd. The song is really good, Megadeth have established that they are going to be heavy as hell on this record. Both singles shape up for a nice album coming in just over a month.

There are a few odd and/or funny talking points going around about the song. I thought I’d dive into a few of them.

Dave Mustaine’s voice – shot?

The biggest topic of discussion has been Dave Mustaine’s voice. This isn’t new – the conversation came up during the Dystopia album release and tour cycle. Dave is now 60 years old and, well, I guess the pipes just aren’t what they used to be?

Honestly, I’m not hearing any huge impact here. Yeah, dude is old and also battled throat cancer in the late 2010’s, but nothing I’ve heard on either new song gives me any pause. He still carries a tune and also, it’s not like anyone was listening to Megadeth for Dave’s vocal prowess anyway. He’s always taken shit over his voice and while his snarl is unmistakable, it never was Megadeth’s calling card. But even with this new stuff I’m not having an issue with it. I don’t know. We all hear things differently, sure, but I do think sometimes people just like to find things to bitch about.

And even if Dave can’t carry a tune like he used to, the band is playing in such fine form that it doesn’t deter me much at all. Let the old man warble a bit over some of the hardest-hitting metal he’s recorded in ages.

Ice T is on this?

Yes – Ice T makes a guest appearance on the song. He does a brief spoken-word part that fits the song’s narrative and isn’t some weird bit that detracts from the track at all.

It’s almost like Ice T knows his way around a metal song, which of course he does. He has fronted Body Count for decades now, and in fact BC and Megadeth toured together in the early ’90’s. This was around the same time Mustaine heaped praise upon Ice T as a great artist.

And that relationship didn’t stop back then, either – in 2017, Mustaine provided both a spoken word intro and a guitar solo to the opening track from Body Count’s 2017 album Bloodlust. Civil War is an awesome song and here’s my very high opinion of the album overall from when it was Album of the Week awhile back.

The point is this – there is nothing strange about Ice T being on a Megadeth song, it might be called long overdue if anything. And there certainly is nothing wrong with it, even if some amount of keyboard warriors seem to think so.

The origin of Vic Rattlehead

The most exciting part about the new Megadeth video was something I’d heard about when the first song was released but nothing was really confirmed. This video arc, clearly meant by Mustaine to tell a story, is giving us the origin of Megadeth’s long-beloved mascot Vic Rattlehead. At the end of the first single We’ll Be Back, a soldier carries an atomic bomb into the sea in an apparent attempt to save people from certain destruction.

In Night Stalkers, this soldier is in some form of afterlife that resembles the river Styx and the ferryman Charon, though is also termed Hell in official preview clips. The shrouded figure transforms the soldier into the well-known mascot, then Vic returns to the mortal realm to unleash some hell on shadow agents hunting his family (or something, I’m not entirely sure).

It is really cool to see a Vic origin story after decades of his existence. I’d wager Vic is the second most famous heavy metal mascot, behind only the ubiquitous Eddie from Iron Maiden. And with this video arc we get far more of a story for Vic than we’ve ever gotten for Eddie.

I’m really looking forward to see where this story goes. Vic often appears as a tyrant or arms dealer type of baddie on old Megadeth album covers, and his story is clearly linked to some very dark military shadow operations, so we’re bound to get some really intriguing stuff in the upcoming arc. I love stuff like this that gives albums a bit more meaning and lore behind them, and it’s especially great to have this with one of heavy metal’s most recognized (drawn) figures.

That’s where we are with the preview songs for the new Megadeth album. We get some wondering about Dave’s vocal state (fine by me), some clowns questioning why Ice T is on the album, and some cool lore behind the long time mascot of the band. All that’s really left to do is see where the story goes and to get ahold of the new album here in several weeks.

A quick refresher on We’ll Be Back and the origin of Vic Rattlehead

Price Points

I’ve done a few posts about money and prices of a few different things recently. I thought I’d do a few quick updates and also discuss the insane prices of a few records. But first, I’ll provide two quick recaps of prices I covered awhile back.

Megadeth cryptocurrency

As I wrote in the original post, I was a foolhardy individual and dropped $10 on Megadeth’s crypto launch awhile back. That was in December when $MEGA was first on offer. The price was tanking when I posted about it, my $10 had whittled down to $7.

Here we are a month and a half later. My $7 in 21 Megacoins is now a bit under $5. It appears that economic forces have further stifled any fortune I might have made off Megadeth and cryptocurrency. I really don’t know what to do with these Megacoins so I will probably just ride this rocket straight into the ground. I could have done any number of things with that ten spot but oh well, the meme was worth it.

Tool’s last album on vinyl

I did a post just after we all found out that Tool were selling “tour editions” of Fear Inoculum on record for $800 at their shows. The price point was insane, even for an autographed edition of an unwieldy, super deluxe 5 LP edition in ornate packaging.

As updates to my original post indicate, the band opened up the “normal” edition of the album for pre-orders to ship in the beginning of April. Those not-tour editions came with a much more reasonable price tag of $170. Though I probably have better things to spend money on I went ahead and pulled the trigger on a pre-order. It’s excessive and not at all necessary, but under $200 is a justifiable price point for the ultra deluxe package. A more budget-friendly 3 LP edition could be manufactured, but as I noted in the original post, Tool are in no rush to get their albums on vinyl so I didn’t want to be left out. These will be flipped very hard when they hit in April, no doubt about it.

Vinyl prices are nuts

I’ve been over it a few times, including just the other day – vinyl prices are crazy. The supply is constrained by outsized demand and undersized manufacturing. Things do not appear poised to get better any time soon, it seems people are hoping that capacity magically increases itself or something.

One thing I’ve noticed is that the secondary market is really getting out of hand. I don’t know enough about it to know if it’s coordinated flipper/gouging activity or if it’s simply supply and demand. Maybe it’s both, I don’t know.

Over the past 18 months or so I picked up most of the Alice In Chains discography on vinyl. Facelift got a new reissue in 2020 and I got it from the local record store on release. I bought Dirt, Unplugged and Jar Of Flies/Sap as well, all were older reissues that I paid normal retail prices for. I don’t have the self-titled release as it hasn’t been reissued and goes for big money, I also don’t have 2000’s albums as they spiked quite a bit right after release.

But going back to the Layne Stayley-era albums I did get – I bought these about a year ago, maybe late 2020. Again, I paid $30 or less for each of them, they were all on the store shelves and priced in the normal $25-30 range. Here are the present Discogs median values for each of these releases.

Dirt – $111

Facelift – $37 (nothing listed for sale under $50 though)

Jar Of Flies/Sap – $109

Unplugged – $189

Those prices are crazy. Facelift is still holding serve as a newer reissue but the intent of sellers to mark it up is clear. The others have flown up in value and are approaching crazy territory. And, as usual, the copies listed for sale are well over the median prices.

Alice In Chains is a very popular act and their vinyl will remain in high demand. Everything could be reissued again to keep prices at retail for buyers who don’t want to sell a kidney for the records, but of course the supply constraints of vinyl manufacturing come into play. How long would it take to press new runs of these albums? Would the major label take priority at a record plant and shut out smaller labels already far behind on album releases, or will the label just let the high secondary market continue and do a reissue later on? It isn’t like record labels really care about secondary prices, other than to gauge perceived demand for a back catalog repress.

I’ve had thoughts about selling off my AIC records with these insane prices going on. I don’t want to mess with the online marketplace though and I don’t know what I’d get from a record store for them, so I probably won’t. But these prices are tempting to sell into.

Crypto Sells, But Who’s Buying?

This is barely even about music, it’s mostly just about one of those dumb things I did on purpose not too long ago. At least I did this one on purpose.

So in this day and age cryptocurrency is a big deal. Some people have made millions off of it, plenty of people have money in it, and many others are extremely skeptical of it. I don’t, like, really have money in any form so crypto isn’t a huge issue to me one way or the other.

One band made a few headlines and a lot of jokes back in December when they decided to wade into the crypto waters. Megadeth, the veteran thrash outfit who have at times been forward-thinking about how to use the Internet, launched their $MEGA cryptocurrency on the Rally platform.

Megadeth have offered NFTs before, those being the vilified current trend in crypto. But going in one’s own currency is a whole other matter. Major currency like Bitcoin has a lot of money behind it, and silly stuff like Dogecoin has essentially memed its way into swings that have made people a few bucks. There are a lot of others around that have done, well, whatever. I don’t follow the stuff closely at all.

The Rally platform seems to be a layer between a content creator and cryptocurrency. I don’t know the inner workings of it but it seems to hinge on a central currency known as Rally coin. Each artist has their own crypto that offers perks, much like a Patreon subscription or a fan club. There are several forthcoming perks outlined for the Megadeth currency but to date none seem to have come about.

When I saw the $MEGA thing being pounded into dust in the court of public opinion on Twitter I decided to take a different approach. I opened my mind and my wallet to the idea and bought a princely sum of the cryptocurrency representing one of my favorite bands. I put down an astonishing $10 on $MEGA.

My $10 investment yielded me 21 Mega-coins back in early December. Today as I type this post, my 21 Mega-coins are worth $5.14. I’ve lost my ass, clearly. Even after factoring in a small amount of Rally coin given as a weekly reward for investing on the site, I’m at $7 total of two currencies that are worth about 25 cents per coin.

I have not had any communication as yet about any perks for being a $MEGA coin holder. I don’t know if I’m supposed to join the fan club to see these perks or not. I’m not personally interested in joining, but I would think that if there were going to be perks available to all coin holders, that the site hosting the coin operation would be the forum to communicate that as opposed to the optional fan club. Again I don’t know anything at this point so this isn’t an outright criticism, it could be the band is waiting until their upcoming album release to offer perks, I don’t know.

It could also be that this Megadeth cryptocurrency is tanking and landed like a wet fart in church. It got laughed off of Twitter and there is almost no serious discussion of it. It is, and should be treated as, a fan perk as opposed to some way to get rich quick or whatever, but it’s still cryptocurrency. There is a LOT of resistance to crypto in all walks of life right now and I didn’t see any favorable interpretations of Megadeth’s offering. Talk is dead at this point beyond me typing about it and taking up blog space with it now.

I know several people who read my blog are in my general age range. That is, we all remember what it was like to buy albums before the Internet was around. I’m sure all of us made blind purchases based on the cover or just some random blurb we heard or read. We bought the album and played it, the immense disappointment coming when we realized we were better off wiping our asses with the money we spent on the record.

That’s kind of like what this $MEGA crap is like, except that I wasn’t making a blind purchase. I knew going in that I would have been better off using a $10 bill as toilet paper. It’s been funny watching my investment crater. I mean, losing a ten spot won’t put me in the poor house but I didn’t really gain much from this experience other than this kind of pointless post.

In the end I learned my lesson about wasting money on intangible things like cryptocurrency tied to metal musicians, though I knew that before I dropped the money. That’s money I could have wasted on Iron Maiden action figures or who knows what else. This doesn’t diminish my view of Megadeth any – this was just a dumb thing and hopefully their new album kicks ass. Maybe I’ll get a discount on it for being a proud $MEGA coin holder, but I won’t hold my breath.